It opens with a black Ferrari running laps along a circular road, not stopping until the fifth (sixth?) lap to stand outside and watch. The simplest interpretation of this is that he can't find his way.
"I don't know what I'm doing, I don't even know if I'm still alone," he said to a bedmate on the phone after nearly an entire movie.
He seemed to have everything, money, fame, always beautiful women, a divorced wife, an 11-year-old daughter. Except for the divorce, the male protagonist's identity setting is almost identical to that of "Lost in Translation." Only this time he was younger and more confused.
Living in a hotel, the big house should be given to the wife. Black Ferraris can go wrong, but this step is nothing to be desired.
But the point is, just because there is nothing unsatisfactory, doesn't mean there will be good luck.
All of this is disgusting. Fall asleep while two strip girls dance, sleep with different women, what else? What else can be done?
The poster shows him and his daughter basking in the sun by the pool. The camera is slowly pulled away, the sun is shining brightly, and the music is quiet. It is only when his daughter is around that he has the opportunity to touch this kind of life.
Finally he left, drove the car somewhere, got out, and started walking. The vast wheat fields stretch as far as the eye can see. I prefer to believe that this is a wish or imagination of the director.
Going forward, where is the direction, where is the point of all this, the suffocation of life is the most terrifying.
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Some people say that the shouting of the father under the plane is as unheard as in "Lost in Translation". But I still heard it, maybe it has something to do with the viewing environment.
The last whisper of "Lost in Translation" is included in the script, and interested students can look for it.
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