The most beautiful thing about Kieslowski's film is that it cannot be explained in a sentence or two, but it is relevant to everyone and can be interpreted by everyone. The text of his film is not complicated, but it can make People think of it, but it can be confirmed in the movie. And his films are still very pure, pure in character relationships, pure in the use of color, and concise in narrative. You don't need to go to great lengths to solve the various mysteries that you like to set in other movies, you only need to pay attention to the characters and For those anonymous people who walked through the movie, he seems to have captured the subconscious psychology and behavior of everyone's life, the details that he thought were not worth talking about on the screen. Watching his films again and again, in his eyes, life is so beautiful and fragile, and fragility is accompanied by beauty. People's paranoia and self-destruction are equally poetic, and everyone's fragility is worthy of forgiveness. Just as the symphony symbolizing pain in "Blue" plays in Binoche's heart from time to time, the theme song of "Two Flowers" often plays suddenly in my life, and then a powerful comforting force pours into my body.
Recently, I watched "Two Lives Flowers" repeatedly. It was really beautiful. I posted a post to commemorate my fragmented thoughts.
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