I'm afraid we have to return the fatalism of space replacement. We should have hidden from each other, and the invisible line faintly passed in the palm of the hand with the approaching high-pitched sound. Devout faith, but not conversion. When Veronica's singing is close to trembling, it is also a moment of transformation. What overlaps with her and replaces her is a lifelike doll.
(If every woman has her Veronica), the parallel lines of fate only leave a testimony in unproven time and space. There is a through-thing that understands and arranges all of this, an inexact hand that cuts into the river of time.
Veronica, whose name is Pansy, also has a big white flower before her death to cover up the gloomy moment of the end. The other, not her, confirmed the existence of each other in a vague proposition. When she felt her disappear, she thought she just needed his presence who would appear.
But this lack is irreparable. Desire or love, a man's love, will never be part of her.
If wholeness and the world are in control (if there is a mysterious non-entity that is arranging everything), all that is needed for women, and religion, is faith, to perceive it all with a fundamentally different masculine temperament (when women are singing "The Divine Comedy") ” chapter).
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