Several clips in the film describe in a very rare and authentic way the little emotions that have found clues between couples or lovers in modern life. It's as if this experience is happening around you and me.
The music of the film also hints at the development of the hero's inner world, just like what Tedu's wife said: I am already very happy, and I dare not ask for any more surprises in life. From the elegant waltz to the quick-step dance, no matter how the rhythm changes, the hero's inner world can only be vented temporarily in the short dance music, until the party at the end of the film, the hero is in the company of friends and family. Accompanied by cheerful music, the confession of heart and reality becomes simple and pure.
On the surface, the film seems to be a happy ending, without the deception of the family and the mockery of human nature. But I'm still thinking, when people reach middle age, when everything becomes normal and everything is as unknown as white water, whether the original initiative and original sense of pursuit in our hearts really need to be suppressed or hidden like ghosts in our hearts .
When we really do it completely flat, don't we really need imported surprises to create some surprises. . .
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