The huge, pure white maiden's cut neck, blood spattered on the moon. I'm so good, this scene can be said to be completely in my strike zone.
I prefer the ending of the theatrical version, what does the tv version say... The content in the front is a bit unsupportable for the form in the back, the most important thing is that this ending is true... Anyway, when I heard everyone's applause and congratulations, Han Mao got up— - the creepy hair, Shinji like the one in the world who held on until the end, and then - was made up, terrifying joyous atmosphere, the last human being, "Congratulations to all the children", fuck, this is to What are you doing? This is not a blessing, and I feel more angry than sad about this ending. For me, the ending of the tv version is much more than the theatrical version of be.
(Of course I think it is also possible that the director really wants to go in a positive direction, but as I said before, the previous content can't hold up at all, can't be connected, and the result has a strange irony effect... In the end, it may be Underfunded pot?)
My understanding of the ending of the theatrical version is like this, Shinji started to complete the completion under the impulsive impulse of irresponsibility, and later regretted it. He would rather have the existence of the Wall of Heart, but the completion has already begun. But does Shinji really regret finishing it? He was vulnerable, contradictory, and always backtracked. At first he wanted to "die if you don't save me and everyone", but later he would rather face the harm that the wall of his heart would bring, but when he came to a world where only him and Asuka were alone, his first reaction was to strangle her again— -Others, the wall of the heart, hurt me, don't save me, die - until Asuka's hand touched his face, full of pity.
So Shinji cried. He was vulnerable, contradictory, and always backtracked. He did get pity from others, his weak and kind heart (like you and me) let him loose his hand, what will happen to him in the end? I think most of the time, we will continue to move forward in the entanglement, and we don’t need to look at him, it is enough to look at ourselves (laughs).
Shinji is me(s), and of course I think I'm a little better than him, but if the tangle, weakness, confusion, and a touch of human tenderness of my adolescence (and still) are dramatically amplified, then , I am Shinji. eva is, after all, a story about growing up with teenage pain - but I don't hate it when I've been through and experienced the same feelings (it's a bit of a shame to say something that resonates haha).
In addition, I have to admit that the director may be convoluted in some places, or I may even put it another way in a convoluted way. This may also be a question that the director himself is confused and asks us. But it is also possible that it is simply playing tricks on mysteries... If you save others by yourself.
I have been living in the house for more than ten years, and eating eva Amway was also more than ten years ago, but I lacked interest in mecha films at that time... In short, it is 2020, and I finally made up for eva... well-deserved reputation, see the previous part I knew it was the tune that I would like, the pictures and music in the theatrical version were excellent, and the two segments, Sweet Death and Broken Ayanami, were excellent. In addition, the joy of getting the mecha piece, the huge robot, is too exciting.
Finally, let’s talk about a few characters, eva is rare, I like all three heroines, but the handsome guy Kaoru is famous, and even the seiyuu is my favorite stone I love female and male seiyuu, it's a dream combination), I don't know if it's a lack of funds (again?) or my expectations are too high... Actually, I don't really stand up, I know what he stands for, but that's all...? I don't think he impresses me as much as I've heard...but Asuka, Ayanami, Misato, even Ritsuko and her mother are all vivid, it's very difficult to portray female characters well...you can say eva It's a very good wave in this regard in the episodes I've seen. Shinji projected adolescent desires and subtle goodwill on them, but it's hard to say whether there really is an element of "love"... As for Kaoru, I'm even more confused, Kaoru line is really in a hurry. The draft of the trailer also seems to imply that the audience is "we have no money! It's time to run away from the rest!", but for the team with tight budget, they also understand that they have probably reached the limit of what they can do. Bar.
In short, the plot is ok (but there are obviously some parts of the later period that are whimsical and running more and more deviated... this one is really bad) The character design is very good, I am super happy with the way of expression, and I am super happy with the music (suddenly remembered Kaoru's end of the episode It's the accompaniment, I can't help singing it myself... Maybe I'm self-indulgent, I always feel that the director wants the audience to do this, because Kaoru's chapter is self, and the ending song should also be the audience's own song), what I want to express in it It's a little too much, it's a little more messy, but the final core is a little single in comparison. The balance of this piece is not particularly good, but the flaws do not hide the good, eva is definitely one of my recommended list, Amway has not seen it. Friends~
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