It has always been believed that the three bloody spirits in East Asia are: Bushido in the East, chivalry in the Central Plains, and wolf in Mongolia. It was the philosophy of man-wolf on horseback that was first recognized by Europeans; the impression of the eastern face of the Mongols also indirectly affected the impression of other yellow people in East Asia. The brilliance of the Mongolians has done a successful public relations work for the yellow race.
The thin Mongolian cultural layer restricts the further development of Mongolian spirit. The most in-depth research on Mongolia is done by the blond and blue-eyed foreigners in the West, and even the Han and Japanese people have explored Mongolia much more deeply than Mongolia itself. The absence of elites is like a wolf pack without a leader, strangling Mongolia's determination to climb out of the inland. All intentions are inseparable from the authoritative interpretation of Western observers.
There are many scenes in the film that shocked me: a lone wolf peeping when Temujin worshipped God, the vanguard of Temujin during the decisive battle, and Jamuka asking Temujin about the "thunder" after he was captured. . . The atmosphere of the scene and the depth of the dialogue are convincing. The most surprising thing is that the film focuses on Temujin's family life, and his army did not appear on the screen until the juncture of the war, so I often thought he was a bachelor commander.
The plot of Temujin's encounter in Xixia is vulgar, but he can still express his spiritual core.
Temujin's wife's persistence, Temujin's open-mindedness and forbearance, are all the integrity of the Mongolians?
Mongolia is collapsing, not only because the bureaucrats will only sell minerals, but also because the youth has weakened and began to move closer to the humanities of Western Europe. For this wolf-like noble nation, putting on the human skin of Western values has actually lowered its worth!
This is a very good literary film! ! !
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