When Sun Honglei came on stage, it didn't feel good. The overall style changed to the desert version of Hong Kong's underworld vendetta. The battle of the Thirteen Wings was basically a battle between gangsters in Yau Ma Tei. I can’t see the Mongolian cart (←_←)
However, this is not over yet, and the
epic level begins to distort, and it slowly turns into a joke. Temujin was caught as a slave, and a string of slaves was tied up with a rope. He became a grasshopper, and a slave fell down on the road. To save the grasshopper, Temujin killed the guard. . . . . (Stop, stop, you're sure you're not talking about the Book of Revelation?) Of course, the passages can be used for reference.
Then, the style of the film began to change to a fantasy direction. The exaggerated and gorgeous costumes of the Tunguska blinded my dog's eyes. The big magician around the Tunguska-an old monk in red saw through the future at a glance. This slave boy is coming for revenge. Perseverance, the god stick can crush this slave child to death, but he travels thousands of miles to inform Temujin's wife, but only prays that the temple will not be destroyed when the country is destroyed in the future (God logic, you say this is all pondering) , Everywhere, the film has transformed into a standard structure of Hong Kong and Taiwan dramas in which the hero suffers from hardship and finally takes revenge.
The director was very happy, and finally broke the special code epic. The rest is that Temujin's wife goes to the meeting alone, the beauty saves the hero (it seems to imply that there are other transactions, but I didn't understand this), and the hero takes revenge. . . .
Epic-level opening, Hong Kong-Taiwan-level brotherhood, mainland wind revenge, plus a big drama of bitterness, um, add a little bit of everything, what should I say about this film, but the name is wrong, if it is called "The Beard Bravely the World" , or "Joking about Temujin" or "Children of the Prairie", I think they are all good, but calling it the Mongolian king is a bit ridiculous, or if the protagonist can't call Temujin a Jinshui fake, you can get in there.
In short, when I watch a movie, I meditate a few times. This is not Genghis Khan, this is the story of a Mongolian named Temujin, so this movie is quite worth watching.
View more about Mongol: The Rise of Genghis Khan reviews
