after reading, I specially went to see the introduction on IMDB, so I went to the same type of "Paris, I Love You" under the recommendation. It should be said that "New York" is definitely better than "Paris", the latter is too pretentious, while the former is very close to the people, just like two countries, and like people from two countries.
When I first read the first paragraph, I thought it didn't matter. I was a little stunned to hear that old Cui's "Girl in the Flower House" in the bar, why are you so familiar? Later, I learned that it was Jiang Wen's handwriting. In the PK with the masters, he seemed to be a little unprofessional. According to his skill, it should not be like this?
The part about the Elf Prince is very warm. There is a need for people in the city who can read books. The MM who appeared at the end has really big eyes, just like in a fairy tale.
The part of Ethan Hawke and Maggie Q is very funny. Ethan Hawke's performance is impressive. The lust in the process of hooking up and the loneliness of knowing the truth at the end are all in his eyes, and the exquisite provocative lines have helped him a lot.
The part of the high school student was very youthful and pure, and there was nothing to stop his sprouting. In addition to the venue, their ooxx way can be imitated very high, of course, the difficulty is very high. That tree in the park looks super beautiful in the dark.
Bradley Cooper's partner looks a bit peculiar, and his figure can't be said to be slim, but he has a style of his own, a little South American. The inner monologue of the two of them is very interesting. (Sometimes I go to see the people in the subway, most of them are looking at their mobile phones, very few people think like them, in fact, it doesn’t matter what they are thinking, is it more and more easy for modern people to use multimedia Lost the ability to think?) This is not a standard ONS story, the reunion after ONS is harder than ONS itself.
Shia LaBeouf is definitely the finishing touch, my personal favorite. The plot is naturally reverie and sighing. The young Shia played without leaving a trace, a lame waiter, so persistently sticking to his functions. The old French woman with blue eyes is synonymous with elegance. The old man's beard and hair seemed to reflect his story. There are not many scenes, and it almost happens in the hotel room. From curtains to red wine to white walls, the application of light and shadow is to the extreme. Even if all the plots and tasks are eliminated, it is a visual feast.
The black dancer has a white daughter, which seems odd, though medically unquestionable (which also proves that I am racist too). A loving father, a dancer who can perform gentle dances in a masculine manner, and having such a lovely daughter is the greatest comfort.
The middle-aged couple in the restaurant looks sad. Is it possible to make love longer than marriage? Is it not the portrayal of all marriages that women do not have tears in their eyes?
Ending with the warmth of an old couple is the best and most optimistic choice. Both parties in marriage are like opponents in war. When people's aggression is flat because of the nature of existence, noisy and complaining are dependent on each other.
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