I liked the father-daughter relationship that was deeply hidden in the beginning of the film, but at the back, the screenwriter seemed to deliberately find some gimmicks, illogical exaggerated plots, and the relationship between this group of characters disappeared after a period of sex. The beginning of the nude party is understandable, but the attire of the father is not clearly explained at all, it is a visually weird presentation, which is out of tune with the whole film style. Also, has the screenwriter tried to put on his father's braces himself? Does the reconciliation of the father-daughter relationship have to use such a far-fetched method, which is confusing and disappointing.
View more about Toni Erdmann reviews