Unseen political and economic background behind "The Silence"

Lourdes 2021-12-15 08:01:03

Watching the movie "Silence", watching the ghost trailer is a great way to come to Taiwan to take a shot It's even more uncomfortable.

The plot is quite magical. From the beginning to the end, there is no explanation of the Catholic faith. Those who are not familiar with the religious conditions in the 16th century may be confused. The Catholic Church reached its peak in the 16th century in Japan, with about 650,000 followers. Even Oda Nobunaga was a pagan at that time and he tolerated the existence of Catholicism. It was not until the death of Oda Nobunaga and the regency of General Toyotomi Hideyoshi that he issued the "Padre (Fr.) Follow-up Order" to officially ban Catholicism. The later story of this film appeared. , And Father Luís Fróis, who was regarded as apostate in the film, survived because of his apostasy, and failed to become a martyr saint. Strictly speaking, he is the recorder of this period of history.

But why did Toyotomi Hideyoshi ban Catholicism? In fact, it has something to do with these European businessmen abducting and selling Japanese to become slaves (Indians, Filipinos, etc. are all abducted under this system). The spread of Catholicism actually has the power to control the local people, and it is indeed a threat to rule. It even happened. The story of the four concubines mentioned in the play is actually the actual story of Toyotomi Hideyoshi's encounter with a religious person who does not want to become his concubine.

The movie will limit this kind of struggle to Japan, but forget that Europe in the 16th century at the same time is where the real religious wars are. The internal fighting of Catholicism can kill you to death. Of course, when the power is extremely unstable, it cannot be effectively exported overseas. Military force is the only way for the "two-man army" in the movie to enter Japan, and it was produced as the last batch of conditions. I think this indirectly caused the difficulty of missions. After all, the resources behind missionaries still affect missions. The important key to the layout.

It’s just that what this film discusses seems to be related to loyalty, but it doesn’t discuss faith itself, so the most fantastic scene I saw was that Father Sebastião Rodrigues saw the reflection in the river and Jesus was actually Jesus. I felt that the fear of apostasy was actually a bit realized. It has something to do with the denial of self-personality. In the past, he was a belief. Other people’s piety to Catholicism can give him power, but now to abandon the belief in the unity of man and God in himself, it will make him almost hollowed out and mad. He was so scared, and the Japanese authorities used progressive persecution to enable him to apostasy. These torture methods essentially made him doubt his faith. After all, the people he was supposed to redeem were now because of "he "(The priest) died without apostasy. This is a complex that is full of contradictions.

Of course, this is a struggle between the powers. A partial view will be the struggle between priests and adults, but looking behind it is the territory of the entire Japanese power. Later, it is mentioned in the play that only the Dutch can enter Japan and take charge of import and export trade. In fact, it is also the export of Dutch culture indirectly. Japan’s western medicine system, also known as orchid medicine, is the result of the Netherlands’ ability to maintain port trade. I think the ban on religion is also a form of declaring sovereignty. After all, economic benefits are Substantively affect the political situation and the possibility of using culture and ideology to invade other countries.

Redemption and seeking the way are just another way out of the rigors of real life (going to heaven after death), then the positive significance of this religion in this world will disappear, and it will only provide a placebo to those people who are living under oppression. There is no way. To actually solve the problem, whether it is the Shogunate or the Catholicism, it is only cooperation with each other. Changing Catholicism to Buddhism is to facilitate the operation of the Shogunate, but don't forget that Buddhism is also foreign, but it takes a long time to internalize.
Simultaneously published on personal blog

View more about Silence reviews

Extended Reading
  • Kyle 2022-03-23 09:02:00

    In fact, it is a story that can clearly distinguish between faith and religion

  • Ora 2022-03-23 09:02:00

    Scorsese spent so much time and effort in narrating blandly, and the characters' inner struggles, tortures, mental distortions and abnormalities were all passed over in one stroke, and they were all lost. It was really putting the cart before the horse. The whole piece has a strong sour and rotten smell, and it is old and moldy. The aftertaste of the original book was also destroyed by Scorsese's excess. It was all finished by you, what we watch, and what we imagined after you finished filming? It is recommended to read the original book, or watch Shinoda Masahiro's version of the movie.

Silence quotes

  • Dieter Albrecht: It was in the year 1641, during the first of my voyages to Japan, that I, Dieter Albrecht, came upon the most extraordinary story in these pages. As a physician in a great Dutch trading company, I traveled widely. But none of the wonders I have recounted in this journal has been so commented on as the curious matter of the apostate priests. I came closer than any European chronicler to the enigma of this country. And to learning of the lives of the lost priests. Inoue, the Inquisitor, would raid homes and search for any objects with hidden Christian images. The two priest were required examine these things and verify their use. I even, on occasion, observed them myself. The Dutch were the only Europeans allowed to trade in Japan. All ships were searched to warrant they were not smuggling religious objects. Nothing bearing the images of the cross, a saint, or rosary could pass. Despite every attempt a few things inevitably were smuggled in. And then it was as distressing to the Japanese as if blood had been spilled. When Sawano Chuãn died, the other priest assumed his duties and performed them with distinction. By this time, I observed he had acquired considerable skill with the language. And seemed to be at peace with his situation. Okada San'emon lived in Edo for the remaining years of his life. Some 10 years later, I was allowed to visit Edo. The Japanese gossiped freely about Okada San'emon. The Inquisitor Inoue, demanded repeated vows of apostasy from him. And they say "The fallen priest supplied them all quickly and vigorously." The Inquisitor continued to insist on periodic examinations of all suspected Christians. Okada San'emon was not exempt from this. Inoue was determined to never let his example be forgotten. Perhaps most particularly by the priest himself. In the year 1667, a religious image was discovered inside an amulet belonging to a servant called Kichijiro. The servant said he had won it gambling, had never looked inside, and could never have gotten the amulet from Okada San'emon since he was always under guard. The servant Kichijiro was taken away. After that, Okada San'emon himself was carefully watched. During my last voyage in 1682, I asked about him, and the Japanese were eager to reply. The last priest never acknowledged the Christian God. Not by word or symbol. He never spoke of Him and never prayed. Not even when he died. The business of his faith was long ended. Three guards stood watch over the coffin until it could be taken away, just to be certain. Only his wife was briefly allowed to view the body, and place there a humble mamorigatana to ward off evil spirits. There was no indication that she wept. The body was treated in the Buddhist manner. And he was given a posthumous Buddihist name. The man who was once Rodrigues ended as they wanted. And as I first saw him, lost to God. But as to that, indeed, only God can answer.

  • Ferreira: We were taught to love those who scorned us.

    Father Sebastião Rodrigues: I feel nothing for them.

    Ferreira: Only Our Lord can judge your heart.

    [pause]

    Father Sebastião Rodrigues: You said, "Our Lord."

    [pause]

    Ferreira: I doubt it.