But master is master. At that time, it was not easy to make such a film with such a deep discussion of psychology and psychoanalysis. 1945, is now, many films are not as good as this... especially the Chinese... hum. I have to admire the masters and advanced psychology abroad, and then look back at the so-called horror movies in our country. When will I catch up? Fifty years ago, in the movies alone, Hitchcock had such an understanding and expression of psychology, now? I'm afraid I don't know how advanced it is. How are we going to catch up? What if you could make something like Inception? At that time, people didn't know how many dreams they had entered.
While looking up at the god-like Master Xi, he also shuddered. On the same earth, the differences in thinking would be so strong, and he was backward and didn't know the most terrifying. At the same time, I can't help but sigh why I couldn't be born in the United States at that time, and what kind of sublimation it must be to see the master's demeanor. Even now, there is no one in the country that can compare.
Among them, the analysis of dreams using Freud's principles is particularly wonderful. I especially like it. Aroused my desire to go to the United States to study criminal psychology.
Ingrid Bergman and Gregory Peck were also a factor in my attraction. Although not a highlight, maybe I'm just thinking too well.
Although the effect of black and white movies is not as realistic and beautiful as the current special effects, the props are not exquisite enough, some of the actors' performances are not in place, and the suspenseful atmosphere is not as good as some of the current classics, but I have to say that it is already very good. It's a milestone-like existence, you can't ask for much other than breakthroughs. Afterall he is indeed the Prestige in that period
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