At the beginning, there was an illusion of a bad movie, but as the plot gradually spread, the discussion between the sexes gradually began under the children's play. There is nothing wrong with women's feelings, just like women's inexplicable fear of adult men when they were young. I don't understand why but it is instinctively ---- this is a gift from evolution to women. So when the hostess woke up with a hangover and sent a child to send her a sofa TV, this kindness made people feel not so right. After all, it would be a cross line and offensive not to ask to send her away. When the hostess felt that she hadn't said to ask for these things, but the child said that the hostess would want them when she was drunk, then did she want them? In fact, the dialogue with the ex-boyfriend at the beginning of the film, as well as the few descriptions of the heroine after being drunk, tell us that the daily life of the heroine after being drunk is really just sleeping. Therefore, the child is lying. With the conflict between the child drunk and the heroine, he sent furniture to compensate. After getting the weakness of the heroine, he began to threaten, and this feeling became even worse. When the current boyfriend found and confronted Fa Xiaoer, the truth had already emerged. Ex-boyfriend wants you to go with him? What are you doing back? Continue the wasteful life of drunken life and dreams? Did the child threaten you to stay, to stay and witness the beginning of the oppression? Two men confront a woman head-on, is it cool to be a woman? I don't think it is necessarily because the contention itself is the possession of the goods; there is another way to "compete": fight for it. In "fighting", a woman is a person with a head, and if it is fighting, neither of the men will do that. The soft underbelly of the acting here has been pinched, it seems that living on his knees is a foregone conclusion, but the film tells us: he is a powerful robot, yes, but you are also a monster, you don’t have to be afraid of him, other than that, you don’t have him. Thinking is so wasteful, you have the brain and the power, so you will solve everything in your own way. In the endless night, every woman has a pair of immortal eyes, which are the beacon that illuminates our way forward. The premise of having all this is awakening. The significance of this play is greater than the meaning of its interpretation, because as a male director of this play, this kind of self-killing or salvation-like awakening of women and the clean and free way of wielding a knife from the palace is that men act as "facts in power". Rare ethics and kindness in the community. Think of the story of King Arthur and the witch: What do women want most? Dominate your own destiny. In summary: Treating you as a trash ex-boyfriend is undesirable, and it is even more a nightmare to be deliberately jealous and obsessed with wanting to possess your hair child. Therefore, there is no true love for me to support you and to meet the true love of misfortune, some are just rampant lusts in the name of love, and it is not love that presses you down. So sister, you have to wake up, wield a knife from the palace, and the road will be completed. Finally, please remember: the knife is in our hands, even if it is not now, it is never too late. ------------------------------------
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