asking Korean restaurant owners for Korean notes. Seriously? ? im sorry balabala, these Koreans who write in English can't understand? You have to say that passers-by can't read it, but you have to take a camera from a high place to see it. Can't the official people understand? I thought it was a foreshadowing, and it didn't. After that, it was of no use at all. Time-consuming and brainless setup.
The male lead is just a primary school classmate in the eyes of the female lead. The two friends of the heroine and the heroine have known each other for a few days. Why would you tell them about finding yourself a monster? Is this reasonable? It seems that the author did this only when the heroine was drunk. But apart from a few bottles of beer on the table, I thought that any performance by the hostess could not make people see that she was in a "drunk", abnormal state.
Can't help but want to sort out the development of the male protagonist's character:
1. The male protagonist is a good person, and gives the female protagonist furniture and gives her a job. Seems to like the heroine, and will be jealous of friends. I have been following her online all these years.
2. The male protagonist finds out that he is a robot. When she appeared alone, she was discovered by the heroine. The male lead also found that the female lead had spent the night with a cute friend. The two had a dispute. Why should the hostess be so anxious to get angry? The hero does take care not to hurt people. She went in and fights with the male lead on her own, and it was more likely to hurt people. It was unreasonable for her to fight with the male lead at first.
3. The heroine's boyfriend comes to pick the heroine back. The male protagonist is unwilling to let people go, "If you leave, I will make a big noise in Seoul." Is this because the male lead is jealous that the female lead can leave the town? Is jealous of the heroine's "extraordinary", low self-esteem? But even if the hostess returned to New York, she was still unemployed and alcoholic, and she was still a loser. Or does the male lead like the female lead and don’t want her to leave? Love begets hate? No matter which way of thinking, it seems not enough.
4. The scene of setting off fireworks in the bar is even more embarrassing. The host said that he would do the most irresponsible thing he could do in a bar-set off an old big firework. I originally thought that the hostess wanted to say that it was a very irresponsible thing for the hostess's boyfriend to abandon her, and that he shouldn't just come back and pick her up. However, nothing was mentioned afterwards. So what is the purpose of this firework? Is the baby self-willed? ?
5. The male lead shows up at the female lead’s house and monitors her not to go with her boyfriend, otherwise he will “make a big trouble in Seoul”. At this time, good and evil have been established. The heroine is the hero who saves people, and the hero is the villain who kills and sets fire. The female protagonist recalled the origin of everything: the male protagonist was a bully when he was a child, thinking that he helped her pick up the model, but actually trampled on her Korean model. This seems to imply that the male protagonist has been bad since he was a child, and evil in his bones.
Where did the feeling of the heroine "you just hate yourself" come from? When I was a child, this memory can't support this "inferiority complex" theory at all, right? Do you have low self-esteem since childhood? How to reflect?
That's it for the hero. In fact, one of the characters I find more interesting is the cute little brother who stayed with the hostess all night. One of the premises for this story is that the body of the heroine cannot beat the body of the male lead. So she needs to defeat the hero in the form of a monster. So here comes the problem. Why did the hostess never seek help from this little brother? When the hero is going to make a big fuss, as long as the little brother catches him in the car, it will not be over. Is the probability of a heroine becoming a monster and a robot sparring causing casualties less than a robot going around by itself?
However, this little brother does not seem to exist, silently following the male lead. But the male protagonist was obviously angry with him because he found out that he was in a one-night stand with the female protagonist. The director seems to have emphasized his stupidity and cowardice to rationalize his inaction afterwards. The image of this type of male is still a bit interesting.
(Tucao: I'm a normal person, he will look at the male lead and hit the female lead? Hit the girl he likes? Will watch the male lead destroy the city and kill people?) The
male lead's home is also very strange. Someone who understands can talk about it. The male lead’s house is very messy, there are many things, it seems that there are some circuits, machinery, and I am laying out robots. There are many small stickers on the range hood at home, which should be posted by a little girl. There are some pictures of a woman and a little girl at home. The woman's face was blanked in a photo. If this was left by the cohabitation partner six years ago, and the male protagonist has kept these things for so long, plus the reaction to the female protagonist, does he have an abandonment issue? . . When the hostess was down, she helped her by herself, but she didn't expect that she would not only hook up with stupid friends, but also go back with her boyfriend.
Furthermore, when the hostess just returned to her hometown, she often sat down and suddenly fell asleep. She didn't drink alcohol either. This is obviously a problem. Thought it was a foreshadowing, but it didn't.
Hathaway is still pretty. . The eyes are big and scary, and the pupils are beautiful. I like this kind of lips with a vertical slit in the middle. The lower body of the whole person is not too thin.
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