This film pays homage to Freud, and the dream setting is a must. The eye curtains in the casino are a metaphor for the inner world that is unwilling to be peeped.
Bergman and Parker are really golden boys and girls, very seductive. Pike is really all about my aesthetic, especially when he comes out as Dr. Edward in a suit.
In the movie, the love scene occupies the majority, and the suspense is less, mainly at the end of the movie, Bergman goes to the murderer late at night to reveal his true face. In this scene, the murderer was shot from an upside-down perspective, which has a very eerie atmosphere. In addition, the deformed tire in the dream means that the revolver has a big brain hole.
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