Wrong, not from our planet, but from ourselves - Shakespeare's "Doctor Edward" tells the story of Dr. Murchison, the director of the Greenmanas Psychiatric Hospital, who is about to retire, and the newly appointed Dr. Edward is young and handsome. The female doctor Peterson fell in love at first sight. However, some behaviors of the new doctor Edward are incomprehensible. He always has a disturbed psychology from time to time, or a great change of mood. Soon Peterson finds out that his lover is an impostor mental patient. Facing the suspect who may be the murder of the real Dr. Edward, Peterson believes that the person he loves is innocent. With his professional knowledge and ingenuity, he skillfully helped his lover escape from the eyes of the police and found his teacher. By analyzing his lover's dream, he finally solved the lover's knot, exposed the real murderer, and made his beloved one. People are freed from the shadow of psychology. This is the first time I have watched a psychology film. My biggest feeling is "entanglement" and "shock". This film not only arranges the storylines to be interlocking, but also focuses on depicting the psychology of JB and Peterson. Activities, let us feel the importance of psychoanalysis in the suspenseful plot. This film not only works hard on the psychological analysis of the actors, but also has a good control of the audience's psychology: the core of the suspense setting of this film is who the real Doctor Edward is and how he was killed. In fact, this real person did not appear at all, and there is no need to appear. Setting the suspense: Director Hitchcock first started with a fake Edward (the audience didn't know it was fake) to work in the hospital, and told the audience through a series of metaphors and features that this Edward might be fake. Paved into suspense: the handwriting and witnesses finally proved to be false, and introduced that the real Edward had been assassinated. And the murder suspect is most likely this fake Edward, who is the real Edward's deputy. Explain suspense: elicit real events through dream memories, until the real murderer is elicited. This arrangement makes the audience's psychology go up and down with the progress of the plot; the performance of the scene The stairs in this film have a strong symbolic meaning, the stairs symbolize ascending and ascending, or unattainable, even women's "climax" ”, especially the ascending steps can also be likened to the exploration of the unknown or the anxiety and fear of the unknown. The first time the steps appear in the film is when Peterson enters J. The group of shots in B's room shows the surging passion in Peterson's heart and also contains a certain kind of love anxiety, which makes the audience interested; another step is that Peterson knows the real murderer and When entering the murderer's room (formerly JB's room), the series of actions and expressions and the close-up of the steps, where the steps become unknown anxiety, let the audience feel the climax of the film in a tense atmosphere; music collocation I was impressed by the music accompanying the description of the two stairs (I remember it should be the same), the music is fast-paced and high-frequency, and it is excited along with the audience's psychology, which is a good performance of Peterson's Emotions and the psychology of viewers watching. Of course, the biggest highlight of the film is psychoanalysis: Freud proposed that personality consists of three parts: "id", "ego" and "superego". The id is the most primitive, the most vague and difficult to grasp part of the personality structure, the blind excitement that is completely aimless in the life system. The id requires to meet the basic biological requirements, without covering and restraint, does not know right and wrong, good and evil, does not understand morality and values, the performance of the id is carried out in the subconscious, and its activities are governed by the principle of pleasure, unwilling to care about reality restrictive requirements. The ego develops from the id, and the ego is manifested on the surface of the id, between the preconscious and the unconscious. The preconscious part of it is the "I" one can be conscious of. The underside of the ego is indistinguishable from the id. The task of the ego is to satisfy the desires of the id, but it must be governed by the principle of reality, consider whether it is in line with reality, and weigh the interests and interests, and if necessary, control or delay the satisfaction of the id's desires according to the external reality. The ego represents rationality and prudence in the personality structure. The superego, also known as the ideal ego, develops from the ego, is the supervisory agency in the personality structure, and is the representative of all moral standards. self. As long as the ego does not meet the requirements of the superego, the superego blames the ego with tense emotions, resulting in a sense of inferiority and guilt. The situation of the ego is rare in the world. To meet the requirements of the superego, to meet the desires of the id, and to adapt to the real environment externally. The ego is always trying its best to reconcile the demands and propositions of the three. Good reconciliation will promote the healthy development of personality; if reconciliation is not good, anxiety will occur; J. in the film After B's younger brother died unexpectedly, he felt a strong sense of guilt and guilt that he killed his younger brother. At this time, it is painful for the superego to punish itself, and the id, who acts on the principle of pleasure, does not want to suffer by itself. The id and the superego have a violent conflict, and the ego reconciles the contradiction between the two. The result of the reconciliation should be The id and superego are both satisfied, and at least subjectively adapt to reality, so the ego uses the psychological defense mechanism to suppress the death of the younger brother into the subconscious, so that the death of the younger brother at the conscious level There is no such thing as the superego, the superego does not have to think about punishing itself, the id does not conflict with the superego, and the ego does not need to reconcile. Due to the latent effect, things that were suppressed into the subconscious seem to be forgotten, and JB does not feel anxiety and pain consciously, and active amnesia occurs. When JB witnessed Edward's death, he was once again mentally stimulated. Although he was aware of the cause of Edward's death, the reappearance of painful childhood memories repressed this impression into his subconscious; at the same time, the sin of killing his younger brother subconsciously Sensation triggers the superego's desire for the ego. The ego's job is to atone for the crime of killing Edward. However, the id was dissatisfied with the actions of the ego, so the ego reconciled and turned itself into Edward. Edward did not die, but was still alive, so there would be no such thing as killing Edward and self-punishment. At this time, the real self is suppressed into the subconscious and forgotten, and the psychology has been temporarily balanced. Let's take a look at the most classic analysis of JB's dream in the film. Every object, decoration, every person, every action, every sentence of dialogue that appears in the strange dream seems to have a specific meaning. Freud said that a dream is a symbol. Then each symbol is a detail that cannot be ignored, a key to deciphering and reorganizing integration. Peterson and his teacher, Alex, analyze JB's dream. In a casino with eyes on the ceiling, someone is constantly cutting those eyes with scissors, he is playing blackjack, the opponent is a guy with a full beard, when JB plays a 7 of clubs, the opponent says J . B won, and the club 7 is already 21 points. At this time, a field owner who was watching the field appeared, saying that this place was his territory, and he wanted to drive them away. The picture of the dream then turned to a valley, the man with the beard was standing under a sloping white roof, wearing a sled, and above it was the casino owner, who was standing beside a chimney, at this time the man with the The man with the beard fell from the roof, and the owner threw a deformed wheel on the roof... The clever Peterson parsed this dream to unravel the process of Dr. Edward's murder and find out the real culprit. It turned out that the murderer was the director of the hospital, Dr. Murchison! It was during that alpine skiing session that Murchison followed Dr. Edward from the blackjack club to the ski resort and killed Dr. Edward with a revolver in order to keep his position. JB, who was seeing a doctor, saw it, so that JB, who had a criminal complex himself, thought that he killed Dr. Edward, and the scene of cutting his eyes in the dream was just JB's own thought that I didn't want to see this process. This is the part about the dream in "Dr. Edward". Dreams are the most vivid language of a person's life, the vocabulary is the vision in the dream, and the grammar is the logic of existence. Experiences many years ago lurked in his unconscious, and those experiences that he considered unimportant or had been forgotten are often reappeared in dream images. By analyzing any dream of a person, you can completely know what kind of person he is and which way he can take to cure his disease. Dreams are a subconscious reflection of the real world. Freud's basic point of view is: dreams are the fulfillment of wishes, and the ultimate purpose of all dreams is to satisfy our instinctual wishes, eliminate troubles, and let us not be disturbed by troubles. To sleep, to get those pleasures in our sleep that we do not get in reality. Another master in the study of dreams is the Swiss psychologist Karl A. Jung, he believed that the role of dreams is compensation, the compensation of the subconscious to the conscious. The first step in understanding the nature of dreams is to recognize that these dreams come from different levels of the subconscious mind. Freud proposed that the subconscious mind consists of two levels: level 1 "preconscious" and level 2 "subconscious". Layer 1 dreams revolve around everyday events, and generally, their symbolism is personal to the dreamer; Layer 2 dreams relate to long-forgotten memories and a problem, which are often somewhat different from waking life places and events. Dreamers may find themselves in a strange role or in an unfamiliar environment. When watching the film "Dr. Edward", you can see this analysis of dreams, and through the analysis of dreams, you can help a person get out of the haze of life. If the "dream" is connected with the id, the ego and the superego, I personally think that the "dream" is actually the result of the self reconciling the id and the superego! To sum up, this film is a bad film no matter from the artistic level or the psychological level!
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