I can't comment on the article because of the number of words, so I'll just write it here

Taya 2022-03-27 09:01:09

#CC# The first film in the history of film based on Freud's psychoanalysis. Involving dream interpretation, Oedipus complex, depression and release, etc., Hitchcock also invited Salvador Dali to design and draw a dream restoration scene, so that the famous "cutting giant eyeballs with scissors", through dream interpretation, that is to admit the spirit of the dream The plasticity of data to identify potential dangers in the plot. In the "manifestation" of the dream, for example, at the beginning, a female patient projects fears on unconscious scratching, while another male patient discusses the guilt of patricide. The male protagonist is particularly sensitive to stripes, because his childhood traumatic case of manslaughtering his younger brother led him to choose to "forget" the event that made him feel guilty. Stripes = the motive of the ski trail, but it is quite casual to expose the real murderer, so that "the gun in the last shot is shot at the audience and ends with a blood-red flash", but this technique serves the British. Gerry Bergman and Gregory Peck's romantic love, they believed in each other in psychoanalysis, after the obstacles of double identities were resolved, it was a happy ending for the two of them to kiss.

Icie 2022-03-28 09:01:04

so blind. Psychoanalysis must have been very fashionable back then, but it was misused as a gimmick and misused for granted. Parker's acting is a vase, and he only does four things from start to finish: wide-eyed dazed, wide-eyed in fear, flirting with Bergman, and fainting when not flirting. Love is still inexplicable. At first sight of "fascinated" love, female characters finally have a little bit of initiative and action, but when they touch a man, they are still desperate and lose their rationality, and their IQ instantly degenerates to 250.