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Heaven has no door
Ashlynn 2022-04-20 09:02:04
There is no door to heaven - According to Jewish Catholic teachings, as believers of Jesus, Jews after death should ascend to heaven, but Jews who were massacred by the German Nazis died without a place, let alone find a priest for Jewish funerals ritual, so they go to heaven without a door. In the Nazi concentration camp, there was a special team called the contingent. They were composed of Jews and were the coolies of the German army. They cleaned the concentration camps, collected corpses, and even sent their Jewish compatriots into gas chambers and buried them in pits. In exchange for an extra week or even a month of life, the protagonist Thor is a member of the task force. When he saw a young Jew survive a gas chamber, but was then found by a German officer, strangled alive, and sent for an autopsy experiment, Saul decided to complete the ritual of heaven for the young compatriot in exchange for his own soul The consolation from the above... The film shooting method is pioneering and highly experimental. The lens is Sol's eyes. With the first vision, he accompanied the protagonist through the catastrophe. foreign language films. There are many movies about World War II, including Polanski's piano battle song, about the friendship between a Jewish pianist and a German officer, about life and death reading, about the love between a German female spy and a Jew, and there is no door to heaven. The team is a traitor to the Jews, but in the decision of life and death, being a traitor is really impatient, and can only do something for the dead compatriots. In the end, Saul was exposed by Jewish children during his escape and could not escape death, but he also saw hope for the continuation of the Jewish nation.
Extended Reading
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Laurine 2022-04-24 07:01:16
1. Shallow depth of field defocus + hand-held follow shot + close-up close-up + sports long lens + rich ambient sound + retro narrow format + 35mm film, a new shooting method of the Nazi Holocaust. 2. The individual perspective replaces the grand narrative, approximating the truth to the greatest extent, everything is blurred, and the cruel history hits our souls at the edge of the image and the space outside the painting. 3. It has nothing to do with inspiration, but pays attention to the belief in the abyss of despair. Even if it is paranoid, the boy at the end is really pleasantly surprised. (8.8/10)
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Saul Ausländer: I have to take care of my son. He's not from my wife.
Abraham Warszawski: When did you last see him?
[pause]
Abraham Warszawski: You have no son.
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Abraham Warszawski: You failed the living for the dead.
Saul Ausländer: We are dead already.