When this film was released, "The Killer Isn't Too Cold" had not yet appeared. More or less, Luc Besson stole from this film, right? The middleman role like Fourth Brother is also helping to keep all the killer's remuneration.
In "Dragon Tiger Wind and Cloud", Chow Yun-fat's undercover policeman and Li Xiuxian's robber sympathized with each other for a short period of time. In terms of credibility, this film is a bit higher.
There are many bugs. For example, Cheng Kui'an is wearing a body armor. It is more reasonable that Chow Yun-fat should hit him in the shoulder before releasing Ye Qianwen. For example, the "visibility" of Ye Qianwen's eyes is sometimes high and sometimes low. For example, if Chow Yun-fat's money is kept by his fourth brother, how can he get the money to rent a big villa by the sea? For example, Ye Qianwen is a singer (even if she sings in a lounge), depending on her living environment, she should have a certain amount of savings. Going to a foreign country for a corneal transplant can be done by herself, right?
Li Xiuxian's last shot, is "LA Confidential" a "salutation"? Forgive my memory is not very good, and I don't watch many police and bandit movies before the 1980s. I don't know if someone has used such a "one shot", but I think someone must have used it. This can be regarded as a classic bridge paragraph.
Is a cool piece.
By the way, I have to mention the fourth brother Zhu Jiang, this image is definitely a classic of Hong Kong-made films.
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