"We are too nostalgic", so collectively review "Bloodblood". Woo Yusen can be described as a representative of violent aesthetics among Chinese directors, and an important figure in old Hong Kong films. In the film, violence is contrasted by holy images such as churches, white doves, and white clothes, forming a strong visual contrast. Li Xiuxian and Zhou Runfa are both righteous and evil, but the righteousness in their bones makes them surprisingly similar, both righteous and evil. So cherish each other, heroes cherish heroes. The characters of the two male protagonists are exquisitely portrayed, especially Xiao Zhuang played by Fa Ge, who is full of drama, and one look can fix you, and the two opponents' scenes are even more hearty. The morality and brotherhood conveyed by the film are the most contagious, don't forget, "Talking about what I say is the bottom line for me to walk the rivers and lakes"!
ps. I watched this movie many years ago, maybe in elementary school, so my memory is blurred. Watching it again, as the plot progresses, I gradually remember it bit by bit.
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