Watching this film, I only appreciate Chow Yun-fat alone.
Police B said to Police A, don't be so serious, it looks like a policeman, smile.
Police A smiled and
Police B said, stop laughing, laughing like a superintendent,
this conversation is too funny.
This is the most classic dialogue in the classic scene of two police officers sitting side by side with the driver and co-pilot in so many police and bandit movies.
Killing on the boat in Xiaozhuang saw the SVD thrown into the water so impressively when I was a child.
Chow Yun-fat playing the harmonica reminds me of the harmonica I want to practice for a long time.
Brother Fa was so handsome back then. Eyebrows, smile, posture, really invincible.
The guns in the movie are all good.
Li Xiuxian sat on the sofa in Xiaozhuang and savored the scene for a long time.
The shots were overflowing. The shots of the two sitting on the same sofa kept switching.
Li Xiuxian kicked back and performed a gun-lifting action to restore the scene.
The layout is too strong. This half of the film before this is very classic and difficult to surpass.
Wu Yusen really lived up to the word "xiong".
The second half is generally strong.
The bang bang bang bang in the church is very enjoyable.
**************************************************** ****
Fago feels like D'Artagnan,
his temperament is that of a romantic and charming knight who needs to be set off by other excellent knights.
In this film, Mr. Zeng, the fourth brother, and Officer Li are barely counted as three musketeers.
Well, although I forgot what the three Musketeers plot was.
Li Xiuxian's acting skills and aura are really not good.
Kevin Spacey in L.A. Confidential is a good fit.
Liu Qingyun after 1995 is not bad. Old Monster Xu and Du Qifeng also asked Liu Qingyun to play similar roles, such as the black man with Jet Li, and the dark battle with Andy Lau.
Ren Dahua after 2000 is not bad.
Hong Kong's film structure is not enough, it's a pity that there are a lot of talents.
Well, Jiang Wen's role as Li Xiuxian is also good.
As mentioned above, it is difficult to find his three musketeers for Chow Yun-fat.
It's hard to find three Musketeer brothers, only big and little brother for him.
It's really good to find the old Dillon and the young Leslie Chess of the hero's true colors,
pony, that's not what you said in your letter to me.
classic.
In front of him is the older brother Di Long, who is old and no longer strong, and behind him is Leslie Cheung, who lacks loyalty.
The pony was crippled and dragged Leslie Cheung to face Dillon who was shot and said, "Be a brother." Then he was interrupted by the bad guys. He shot Leslie Cheung to the head with blood on his face
and blood, and taught you how to be a man in minutes.
Leslie Cheung does look extravagant.
Therefore, it is also very classic to go all over the world. Leslie Cheung is the younger brother, and Zhong Chuhong is the sister.
Dancing tango in a wheelchair can no longer be a classic.
This lame tango actually surpasses Al Pacino's blind tango in Scent and Knowing Women.
It's just that the old Al Pacino's face is full of charm in every gully, and Lao Ah's dull and silent eyes look profound instead. The Oscar for this film is Lao Ah's personal charm.
But Tango is a pas de deux after all, and it's best to be the girl you like in full bloom.
Woo Yusen is really good to Chow Yun-fat.
In the hands of a complete commercial director, such as Wang Jing, Chow Yun-fat is no longer a knight, nor a musketeer brother.
The God of Gamblers only has his back.
Just like when I asked my brother during Chinese New Year, is it a pity?
Is this fate?
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