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Mary Sue
Filomena 2022-04-22 07:01:40
The heroine easily made three men fall in love with her, almost every one of them was affectionate at the first meeting and asked for marriage at the second meeting, and then the heroine said that I am a man. I like you very much but I want Independence, I want to be independent, just not be with you, but we can still be ambiguous, what a green tea bitch. Then, the poor stayed by her side to protect her, the rich helped her, the officer conquered her with heroism, got married, but met an old lover who died with his child, and the officer committed suicide without thinking. At this time, the poor and the rich wanted to confess to the heroine again. As a result, the officer suddenly came back. It turned out that he was not dead. The rich shot and killed the officer. Then he obediently went to jail and left the heroine to the poor. I'm a competitor, and then I pretend to be arrogant and want to leave. The heroine looks at it, rub it, who will help me take care of the farm when you're gone (Didn't Nima just want to be a strong woman and a man? The whole play will be a fight. Pao, you didn't do anything else, Mary Su!), and then said you propose to me, then the male lead proposes, the female lead agrees, and it's over! The rot country probably used all the artistic temperament in the rot. The normal love between men and women is really bad, but the scenery is good.
Extended Reading
Far from the Madding Crowd quotes
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Sergeant Troy: This woman, dead as she is, is more to me than you ever were, or are, or can be. You are nothing to me now. Nothing.
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[first lines]
Bathsheba Everdene: [narrating] "Bathsheba Everdene." "Bathsheba." The name has always sounded strange to me. I don't like to hear it said out loud. My parents died when I was very young, so there's no one to ask where it came from. I've grown accustomed to being on my own. Some say even too accustomed. Too independent.