Let's go back to the rational analysis and add the film review of "An Andalusian Dog": How should man C understand that he uses a rope to drag the piano? The piano symbolizes art, while the man C is for naked sensuality. There are two floor tiles, two pumpkins, and two priests tied to a rope, and a dead donkey on the piano, whatever these symbolize (the floor tiles may represent reason and morality, and the priest represents religion), it is certain that these are all. It is hindering and suppressing the sensual impulse of the man C, otherwise the man C will not be so laborious to drag the piano. It is not so much that man C uses a rope to drag the piano, it is better to say that the rope drags man C. It is precisely because of the existence of these obstacles and repressions that the sensual impulse has to be transformed into the art of using the piano as an endorsement through a tortuous pipeline in order to release itself. Probably an art show.
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