(The following records some impressions and reflections)
Pain, cut eyeballs, ant burrows in palms, cross-sectional shapes of severed hands being fiddled with, hands caught in doors, smeared lips (how painful and occluded)
Sexual suggestion, touching a woman's body, desire and irrationality intertwined, dragging two pianos and two gentlemen limply approaching desire. What is the relationship between desire and love and music?
The genders of men and women are ambiguous, with women dressed as male masters and men dressed as women (playing with broken hands on the street).
Intruders in sexual relationships (or marriage, love), looking into other people's windows. Fear of irrationality returning to its original state (putting on something like baby clothes, removing the power of violence). In front of the hostess, the intruder displayed the next second of unknown irrational violence and threw away the male host's baby utensils. They were rediscovered by the couple (or lovers) in the seaside mud and discarded.
Confused timeline. causality is broken. What's interesting is that after the subtitles were put on more than ten years ago, the scene was still intact, only the speed of the characters' movements (or the flow of time) was quietly changed. Then the oldest age has the slowest and weakest movements. The w pose of the hostess surrender, the notebook turns into a gun, and the w surrender pose transfers to another man. However, imagine if the timeline were just a tiny taunt.
In the madness (or irrationality) of the unconscious, we fear the unknown and the uncontrollable. It is the most terrifying dream, where we have lost our grip on the world, where our desire to return to the original can neither hurt nor be hurt. The subject needs reason, because irrationality is not beautiful.
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