I am so happy! !

Ryley 2022-04-19 09:02:11

I am so happy! ! ! ! ! ! I think dreams do reflect what you see and think during the day, but what you dream about (or remember when you wake up) isn't necessarily the most memorable episode of the day. Dreams can also reflect emotional fluctuations. From this perspective, the plot of this short film is extremely unimportant. What matters is the feeling that each segment brings to people. It's not a feature film, it's an emotional one. Of course this is also an attempt to rationalize the film, which itself should never be justified. Then again, the logic of dreams is also logic, and the ego is also me (. In addition, a person's dream seems to repeat certain images for a period of time? For example, when I was a child, I always dreamed of falling into a river, and then I dreamed of it. I was chased and blocked by various monsters, and then I always dreamed of getting lost in cities and buildings, and as my ability to recognize the way gradually improved, I had fewer such dreams, and I always found the right way in the end. Repeatedly in this film Are the ants and stripes that appear in Dalí's dreams also recurring? Such images are of great significance to the dreamer, or are code words that only the dreamer can understand, but the onlookers are in the dark. Like reading poetry, the imagery in poetry does not have meaning for everyone. Using dreams to convey one's heart is in a sense futile, and the works born from dreams are more like private memorials.

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Extended Reading
  • Casimer 2022-03-27 09:01:09

    2013.9.3 Teacher Li Xun re-watched it in the basic course of film aesthetics, showing that the form alone cannot generate clarity and single meaning. The film itself is quite rich and interpretable. 2016.4.14 I rewatched it again in the class of Mr. Li Xun of Peking University.

  • Augustine 2022-03-27 09:01:09

    This film has been studied too much, not to mention anything else, just the influence of this film on later generations shows the status of this film. The ant-covered ear of David Lynch's blue velvet and the bloody horse's head on the bed of Coppola's godfather should all come from this film. The mixture of Bunuel and Dali's dreams, since it is a dream that can be understood or not, so why not? At the beginning of the film, the scene of Bunuel sharpening a razor is unforgettable.