society eats people

Freda 2022-04-20 09:01:48

A short review of "Cut the Belly".

"No matter how good a warrior is, he is also a person."

An extremely depressing film. The whole film revolves around cutting the belly - a cruel act that symbolizes the spirit of samurai martyrdom.

Under the high-pressure control of the shogunate, it was difficult for the bottom samurai to support their lives. The embarrassment of its class nature is that it cannot directly have labor opportunities like the lower civilian class, and it cannot be employed by upper-class families in the Taiping era. The education they received from childhood was that "ignorance of etiquette equals failure." To die for morality is more reflected in absolute obedience to superiors and abandonment of the id. When the harsh reality made these ronin become "superfluous people" in society, they began to doubt themselves.

Hanshiro has a line, "I never part from my sword, but my ignorance makes me hold on to that useless symbol".

He avenged his son-in-law and found that the so-called Bushido was nothing but a means used by the upper echelons to secure the loyalty of the swordsman to himself, and the so-called swordsman was nothing but a tool to be shackled.

Die by incision may be a drama staged for survival, or it may also be to be able to die with dignity and dignity. But the determination to die is tied to interests, and even ridiculed by others. The wrong itself can only find the answer in a deformed society.

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Extended Reading
  • Zackery 2022-03-27 09:01:09

    Photography, lighting, scenery, soundtrack, drama, scheduling, performance... All aspects are perfect works, and the drama is extremely thick and filmed so dexterously, it cuts into Japanese society only from the point of incision, especially as Paodingjie The cow generally cuts through the false skin of Bushido. Both the film itself and its social significance are indelible in the long history of film.

  • Priscilla 2022-03-21 09:02:10

    "Today's fate of others will be your own portrayal tomorrow." Use a storytelling movie to shoot the storytelling; use the warning issued by the protagonist to warn the audience in front of the screen; use the smashing armor that symbolizes faith, come Expose the pretense of a ruthless government... If Bushido is just a facade, then war and peace are nothing but lies and deals; if experience is the best teacher, then the deepest human experience is the lesson of history. Therefore, after the Great War of Sekihara corresponds to the after World War II; and this film is an out-and-out political thriller. In the end, the wind blows, the weeds dance, the sound of the piano is bleak; the knife sees blood, who can see the vague truth? Perhaps all we can see is a new era in which the world is peaceful, the four seas are peaceful, and even the wind will not blow the leaves.

Hara-Kiri quotes

  • Hanshiro Tsugumo: When my master's house fell we immediately left the domain and moved to Edo. The streets of Edo were crowded with ronin - flotsam from the Battle of Sekigahara. In former times, other clans would have gladly taken in any ronin who'd earned a name for himself. But in an era no longer in need of warriors or horses, so peaceful that no wind even rustled the leaves on the trees, it was a constant struggle simply to find a meal. Indeed, it shames me to recall our miserable lives of these last eight or nine years.

  • Hanshiro Tsugumo: Who can fathom the depths of another man's heart?