The filming is slow, and the story is slowly released. A few thoughts on ordinary people, around the emotional stages of the hostess and the hostess:
1. The "similar" in adolescence. Male protagonist: An ordinary person wants to be an "ordinary person" in the eyes of the public. The heroine here is relatively independent and mature. Both are typical high school students.
2. The period of sensual release. Because of their puberty, the two will be afraid to share their sincerity. It is also a common image of college students.
Here I want to talk about it: Regarding the second breakup caused by a language misunderstanding, this setting can accurately express the communication problems between the two. Although it is classic but too old-fashioned, the drama is limited to paper. When using the language of the lens, I personally feel that it is very inappropriate for the setting and reality of the characters. In my classification, this is a very unsmart setting. In addition: For these two periods, let me say something to the male protagonist: Hesitation and cowardice are also a kind of scumbag behavior.
3. The period of spiritual climbing. The communication between the two has risen step by step, but they are both in a cautious state. In this period, the freedom and sparseness of the previous two periods have not changed, which is not the best state.
4. The spirit is highly overlapped, and the body is not overlapped. Pity. The male protagonist has only just transformed into a man at this time. The two are about to enter the social stage from the state of college students.
In this play, from the book, the writer still grasped some universal things. In particular, I liked the discussion of the same kind in the first stage. I'm not professional in lens language, so I won't comment blindly.
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