The excitement started just after the end of the first half, otherwise, the film would just be a story of a battle against tyranny; from then on, the foreshadowing in front of it unfolded like mercury pouring down drippingly and drippingly, gradually getting better.
The half-time after the gun smoke is the courtroom scene. The lineup of swords, lights, swords and shadows in the front is clear. The Irish vs. the British can be. The issue of "rich Irish" vs "Irish poor in general" is not so black and white, and the Republican Army needs this support immediately, at this time, although the gun barrel is reluctant, but after all respects the liberation area's The temporary court, let people breathe a sigh of relief: what is the common law system! Otherwise, life and death in exchange for an evil regime, why bother?
The climax of the intermission is the truce. People sing and dance. The violin plays a Gaelic rhythm, echoing the wind blowing wheat waves in the title sequence, and the hillside filled with white mist. But, "Happy, 3 minutes is enough." The highlight of the second half is the peace agreement. With an agreement, there will be compromises, and differences in whether to give in or not will inevitably lead to comrades-in-arms becoming rivals. When the brothers finally kill each other, the director abruptly puts this on the table. Political issues are thrown to the audience; like "Father" with the same theme, the Northern Ireland issue is an eternal pain for the Irish nation, but compared to the increasingly extreme Palestinian factions calling for wind and rain in their refugee camps, who is closer to the Boxer Regiment in the Boxer Years , does not seem difficult to answer.
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