God, I don't remember any other film except Mozart that was this long. Simply put, the film is over 3 hours long. But fortunately, there was almost no distraction, and it was read in one breath. The whole is good, and there are quite a lot of feelings, which are described as follows: 1. Produced in Ceylon. It was the first time I saw director Ceylon's work, and it was really good. 2. The beauty of the lens. It is said that he was born in Ceylon photography, and feels that every lens is very elegant and worth seeing. 3. The plot is concise. In fact, the plot is not complicated, just the story between the male protagonist and a few relatives and friends around him. 4, viewing fun. I wonder how such a huge film can attract viewers all the way? The result of pondering is that the plot continues to break out Xiao Gao Chao, who is caught off guard. You have to wonder: God, why? and then? This achieves attention traction until the end of the play. 5, can be circled. There are many places that are more impressive, such as the attack on the car window/the burning of huge sums of money, etc. 6. Midlife crisis. The male protagonist is obviously suffering from a mid-life crisis, his role in mainstream society is declining, and he is also beleaguered within the family (with his sister and wife). Therefore, it is difficult to survive between trying to maintain and compromise. 7. The golden sentence flashes. There are many conversations, and most of them are life discussions. So, golden sentences are everywhere. What impressed me the most was the sentence: The road to hell is usually paved with good intentions. 8. Chicken feathers in one place. There is no perfect life, only perfect ideals. The male protagonist's family seems to be equal in wealth, everyone should be carefree, let go and pursue the perfection of the spiritual/soul world. In fact, the big fallacy is not the same. Each has its own disappointment, each has its own inability to relieve/relieve, and each has its own set of frustrations in life. The male protagonist is apparently in a mid-life crisis, and his sister is thinking/philosophical all day long, but she is thinking about whether to re-accept her ex-husband who is self-abandoned, alcoholic and depraved. The young wife seems to be busy with all kinds of charitable fundraising all day long, but the truth is to use this to gain a sense of existence. The tenant's family is the same. My ability is only enough to protect myself, and I really feel powerless to my brother and other family members. As the head of the monastery, you should set an example in all aspects. However, in the family, the gourd is pressed and the scoop floats. If you can't train your own brother well, you can't even persuade your little nephew. Even had to put down his body, bow down, and reconcile everywhere. Brother useless chai is useless, but it doesn't hinder his old man's skeletal and arrogant bones. Regrettably, his refusal to bail out huge sums of money did nothing to prop up his self-esteem. On the contrary, it is even more pitiful, sighing/sympathetic. The nephew is even more so, at a young age, he doesn't know that killing people to pay off debts and debts is the law of the world. When I saw outsiders beating up my own father, I took revenge for granted. The male protagonist who threw stones openly almost caused a car crash. Thinking about it, the rational thinking logic of this poor man is really scary
After all, life is hard. It doesn't matter what class you are in. Unless you are willing to be a pig, you are satisfied with the most basic survival. Otherwise, it will be a piece of chicken feathers, messy wind.
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