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Isobel 2022-04-19 09:02:26
Very literary and artistic films, without specific narratives, are mostly large dialogues, which stem from the contradictions between different characters or classes, resulting in disputes over different ideas, related to social class, family lover, good and evil. . . The rhetoric that is not didactic is more of a discussion close to the essence of the problem, leaving a lot of room for thinking. Perhaps it is this kind of spliced shooting of literary sketches, the story of the whole piece is relatively weak, the connection between the fragments is not natural enough, and the ending is a bit abrupt. The Turkish location shot in the film is exceptionally beautiful, delicate and not sculpted, and I can't help but sigh at the magic of nature. In addition, the heroine is also very cool and beautiful, and the music at the end of the film is also very suitable for the scene.
Extended Reading
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Shyanne 2022-03-31 09:01:04
Long is not the problem, the problem is wordy. The film is good, but it's a bit too "dramatic". I'm not referring to the dialogue, but the deliberately arranged quarrel scenes (when the male protagonist meets the teacher, you don't have to watch it to know that there will be a fight in the end). In addition, after arguing several times in two days, you can get a "new life", which I think is too "literate". Yes, the whole film is too literary, such as the old tower-style white horse that appeared on the show.
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Toby 2022-04-01 09:01:08
Why did Asia Minor get it when she didn't get it~ I can basically explain what I want to say with the dialogue, but the lengthy dialogue itself is not subtle or sharp, nor is it a new expression of the winter-like plight of middle-class intellectuals~ The plot is loose. For one thing, the large number of indoor scenes also seems to weaken the expressive ability of his shots, and the rest is just a fragmented Turkish scene~ In fact, I think this one seems to be more mature, but it is not as good as the three monkeys. .
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Aydin: Justice doesn't even exist in nature, why should it exist here?
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Aydin: [Epilogue] Nihal, I didn't go away. I couldn't. Whether it's because I've grown old, or I've gone mad, or because I've become a different man, think what you like. I just don't know. But this new man inside me for a few days won't let me go away. Please, don't ask me to go either. I now understand nothing is calling me to Istanbul. Everything is alien to me there as it is everywhere else. I want you to know that I have no one but you. And I miss you every minute, every second that goes by. But my pride will never let me tell you this. I know very well how to terrible or impossible it would be to part from you. Just as I know that you do not love me anymore. I know we can't go back to the old days. And there is no need to. Take me with you like a servant, like a slave. And let us continue our life even if we do it your way. Forgive me.