Form beauty

Johnathon 2022-03-26 09:01:07

Macbeth is probably the most ghostly one of Shakespeare I've ever seen. This movie is more ghostly than Macbeth, and the ancient Japanese costumes have a natural advantage. Toshiro Mifune is a theatrical performance, with the same expression, gesture and dialogue. Yamada Isuzu is a Noh-style performance. Her face is like a mask of Noh, but she retains rich eyebrows and eyes. The range of movements is very small. In many scenes, she is half-squatting and half-kneeling. It's like it's being squeezed out of your throat. Several of their dialogues are very good-looking, and the scene of killing the king in the north hall is a classic that combines the strengths of movies, dramas, and Noh music. But then Isuzu didn't show up very much, and Mifune was a bit like blowing a beard and staring. Also, this sub-frame is picturesque, and several scenes of heavy fog are too magnificent.

Kelsie 2022-04-20 09:01:48

The war scenes with almost no head-on confrontation are very different from Chaos. Although they are all adaptations of Shakespeare, it is obvious that this is a three-line report clip that is closer to the first scene of the scripted play and is limited to the Spider Nest Castle. It is quite interesting. The long shot of the spinning bamboo house predicted by the ghost goes in and out, and the house is gone. It has the realism flavor of the continuous space in the same scene that Bazin said (similarly also appeared in the banquet-miki ghost scene). The most comprehensive The main special effects are smoke and lightning and the heavy rain that brought the protagonist into the forest for the first time. The fog stretches back and forth not only to form the boundary of the prophecy paragraph, but also to the frame of the entire film. Inconsistency The first half is like a machine (and a bit like the protagonist's alter ego who bluntly speaks out what the protagonist is afraid to say) and the second half seems to be an inexplicable performance in order to forcefully insert Shakespeare's blood-washing scene as a whole. The existence of this lady is very strange (not like the tricky handling of fool), but the scene where she goes into the dark to get the wine and comes out of the dark is good. In the end, the special effect of the arrow in the neck of the protagonist is great, 360 degrees without dead ends