death is a door

Alessandro 2022-04-21 09:02:46

I watched "The Undertaker" at night.
In fact, earlier, I had the idea of ​​becoming a part-time mortuary. On the one hand, I want to experience different experiences, and on the other hand, I hope to answer many of my own doubts about death.
I have heard that in some places, it is very rude to arrange the remains of the deceased behind the back of their family members. Hook the back with a large hook and hang it up for washing. When I heard this, I was terrified. I thought in my heart that I was getting old, so I must escape to the deep mountains and old forests, jump into the deep cliffs when I was about to die, and never put the body in the funeral home. Otherwise, just jump into the stove, and everyone will save trouble. To be so dignified to die.
Attending funerals twice was a bad experience. Chinese-style funerals have a big feature. Many times, they are very noisy and complicated. Seeing a large group of people walking by howling, thirty or forty people with no tears on their faces, covering their faces and shouting loudly, I was amazed at the time. There are also some people who are expressionless before saying goodbye, weeping loudly when they surround the deceased, and then turn around and come back with a pool of stagnant water on their faces. You don't know how sad they are. Or see the band playing sad music and pass by, or let the family members set off firecrackers after cremation. The deceased's face was smeared very white and looked strange. When I said goodbye, I couldn't bear it or dared to look at it. Not to mention seeing people being pushed into the furnace and turned into a pile of ashes when they come out. The family also used pliers and brooms to move the ashes into stainless steel plates. When picking up the broken bones and ashes, they felt as if they had turned into ashes. For me, these are very uncomfortable things.
But "The Undertaker" made me see the other side of goodbye. It turns out that it can be so calm, forbearance, solemn and beautiful, even sad. The deepest impression is that after the deceased was placed in the coffin, the mother, daughter and granddaughter bid farewell to the deceased, each with a lip print on his face. Everyone laughed at first, then couldn't help crying, thanking him for everything he had done during his lifetime. I always thought that this is how the farewell ceremony should be. Only close relatives, loved ones and close friends are around, and they are sincerely sad for your passing, not a large group of colleagues leading a mess of people into a large room, like attending a rally. We have done too many superfluous things during our lifetime, and we don't need to add them after death.
The work done by the undertaker is not so much for the dead, but for the comfort of the living. Whether we like it or not, we have no way of choosing when, how, or how we die. Death is a mess, left to the living to suffer the consequences. The mortuary masters toned down the bruising, rigidity and ugliness brought by death, and let them die as beautifully and solemnly as possible. This is a respect for life and a calmness to death, which is awe-inspiring.
As the old man who operated the incinerator said, death is a door. It makes us fall into thinking about our own state of existence, see the core of prosperity and grandness, and distinguish what is the most important thing in our life. Just like at the end of the film, the stone that Kobayashi's father held tightly in his hand. Thirty years later, it shows a father's unstoppable longing and love in his lonely years. And he finally saw clearly the face of his father, whose memory was blurred, and burst into tears. Forgiveness and love evoked by death is always too late. Human beings have survived for such a long time. In fact, many things are still the same: they don't cherish when they have them, and they feel sad when they lose them. There is nothing new under the sun, why not take pity on the people in front of you before it's too late.

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Extended Reading
  • Kelsie 2022-03-27 09:01:12

    Revisiting it on the big screen after 12 years is still touching, but this time I saw some flaws. For example, the role of Ryoko Hirosue is too instrumental, and I can't see the male protagonist's love for her at all. It seems that she only came back for the sake of her children. Forgive the hero, so humble. But about death education, about farewells, there is no better film than this one. Those burial ceremonies are so beautiful and gentle. The grandfather of the funeral home said it philosophically: people in the funeral industry are gatekeepers, helping everyone to get through this door to another world, and telling them: be careful on the road, there will be a future.

  • Name 2022-03-29 09:01:04

    Far-fetched, long-winded, emotionally unfounded, and the story doesn't look good. Those cases are to provide emotional credibility, so it is mainly white-haired people who send black-haired people. Even among middle-aged and elderly people, except for the lonely old people who are the protagonists in the induction ceremony, the others are all people whose age of death is lower than their life expectancy. Only for the families of the deceased, the industry of entrepreneurs is a little small. worth it? It was nothing more than a ceremony to give some empty comfort to the deeply regretful family members. However, just like the Chinese folk saying about the so-called filial piety in the funeral of the so-called "unfilial in life, nonsense in death", it is even more so for the children and spouses who died before they reached the age of life. Afterwards, it was beautiful, but it was just another tossing around the victimized deceased, so that the victimized living could buy psychological comfort. The so-called reconciliation at the end is even more ridiculous. A scumbag who dies alone is a self-inflicted sin. He doesn't even have the courage to apologize and make amends. What is there to be moved by holding a stone to death. Even if he has not let go after 30 years, he is still just a frivolous narcissism of a scumbag.

Departures quotes

  • Daigo Kobayashi: There are many kinds of coffins.

    Yuriko Kamimura: 50000, 100000, 300000 yen.

    Daigo Kobayashi: They differ by that much?

    Yuriko Kamimura: The left one is plywood, the next one has metal fittings and carvings on both sides. And the most expensive one is solid cypress wood.

    Daigo Kobayashi: Oh, the difference is in material and decoration.

    Yuriko Kamimura: Yes, they all burn the same way.

    Daigo Kobayashi: Same ashes.

    Yuriko Kamimura: The last shopping of your life is done by others.

    Daigo Kobayashi: Kind of ironic.

  • Shokichi Hirata: Salmon?

    Daigo Kobayashi: [Watching the river] Ah, yes. They're right by the rocks... over there.

    Shokichi Hirata: [to the salmons swimming against the stream] Oh! Go for it!

    Daigo Kobayashi: It's kind of sad... to climb only to die. Why work so hard if you're going to die.

    Shokichi Hirata: I'm sure they want to go back... to their birthplace.