Mortuary, Joe Hisaishi, and cello

Nakia 2022-04-20 09:01:59

"I want to be the undertaker." Masahiro Benmu said, so the "The Undertaker", which won the Oscar for Best Foreign Language Film, appeared. Japanese movies finally re-entered the Oscar's field of vision after Akira Kurosawa.

I have always liked Japanese movies, because their emotions are the most stable among Asian movies. The most important part of watching movies for me is the control of the emotions of the whole movie. I have seen so many Japanese movies, and I have hardly been disappointed.

Before watching "The Undertaker", I just finished watching "The Twenty-Four Cities". Jia Zhangke's films are getting more and more fake and more stereotyped. I sigh, besides him, who else in China would make a film that can make people quiet Want to watch an afternoon video? Yang Dechang passed away, is Jia Zhangke's mind all about preparing for his wedding with Zhao Tao?

I have to admit that a large part of the moving of "The Undertaker" is due to Joe Hisaishi. He has always been so speechless. The cello he chose this time is heavy, quiet, and the emotional line like a tear duct leads the viewer to squeeze the heartfelt feelings from the inside out, and then from the outside. Back inside the repeated smooth penetration.

The funeral can be so beautiful.

Whether it is with a stranger, or when you are a tour guide for the last journey of your life with your relatives, with such gentle movements, such a calm mood, such thoughtful care, the deceased's face is reborn, like the snow in Hokkaido, and like The cherry blossoms on Mount Fuji, the widow said softly: You have worked hard. The endless gratitude and remembrance of the short and long life. The deceased is gone. When the confused old crematorium worker pressed the switch, the golden industrial fire suddenly lit up, and his life came to an end. All love, hatred, ups and downs, dreams, wishes, regrets, and grievances are also suddenly extinguished. There are only relatives who can't reach out and miss them.

When I saw it halfway through, I suddenly had the urge to change careers and become an undertaker, but I was relieved and smiled.

When the leaves are yellow and the wind is bleak, but every moon is full of dreams and spring. This sentence is given to the heroine Ryoko Hirosue. Long-lost name, long-lost figure.

It's been a long time since I saw a movie like this, so I wrote a short article, Ji.

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Extended Reading
  • Candice 2021-12-25 08:01:15

    "Very light movie and heavy life"

  • Norbert 2021-12-25 08:01:15

    I wanted to say that there was no sympathy, but I couldn't help crying when I saw the stone fall from the palm of my hand. I suddenly wanted to understand that I used to think that resentment could not be completely eliminated until death, but if I see the day you die, I will forgive you everything.

Departures quotes

  • Daigo Kobayashi: There are many kinds of coffins.

    Yuriko Kamimura: 50000, 100000, 300000 yen.

    Daigo Kobayashi: They differ by that much?

    Yuriko Kamimura: The left one is plywood, the next one has metal fittings and carvings on both sides. And the most expensive one is solid cypress wood.

    Daigo Kobayashi: Oh, the difference is in material and decoration.

    Yuriko Kamimura: Yes, they all burn the same way.

    Daigo Kobayashi: Same ashes.

    Yuriko Kamimura: The last shopping of your life is done by others.

    Daigo Kobayashi: Kind of ironic.

  • Shokichi Hirata: Salmon?

    Daigo Kobayashi: [Watching the river] Ah, yes. They're right by the rocks... over there.

    Shokichi Hirata: [to the salmons swimming against the stream] Oh! Go for it!

    Daigo Kobayashi: It's kind of sad... to climb only to die. Why work so hard if you're going to die.

    Shokichi Hirata: I'm sure they want to go back... to their birthplace.