When will I have to have a mouthful of puffer fish white too?

Enos 2022-04-19 09:02:22

I finally watched the mortuary and said that I was apologetic. Even I, who are used to watching movies from 70 years ago, should not neglect such a movie.

Takahiro Sasano, playing the old man in the bathhouse. The last time I saw him was in the Japanese drama Negotiator 2. This person is very old. In fact, he is a man of 48 years. He entered the film industry very late. He had been a theatre actor until then. The man is said to have married a 17-year-old wife when he was 42 years old.

Yamazaki Nu, who played the role of the president, seemed familiar at first glance, but after checking, sure enough, the long-distance driver Heiro in Dandelion Mile that I liked very much was him. That was over 20 years ago, he wasn't even 50 years old and wearing a cowboy hat made my impression of the Dandelion play totally Western. Looking at it now, it looks so old. I really like the part of eating puffer fish, the logic between life and death and eating is amazing. If there are one or two actors like Yamazaki or Sasano in China, it would be amazing.

Speaking of Dandelion, the funeral director actually reminds me of Itami Shisan. He is a director I like very much. He knows the genre well, but he is full of a sense of absurdity and ritual. The characteristic, and even a major characteristic of Japanese culture, is to display the sense of absurdity and ritual at the same time, bilateral. My graduation thesis is about bilateral, bilateral, simultaneous, infinite power.

The play of the mortuary is very Hollywood, and I was secretly worried when I saw it halfway through. Probably at the end, my father was going to appear. In fact, I had a little hope for the abnormal, thinking that there is a possibility that this father will become Godot. But Godot didn't show up, Dad showed up. But at the end, there was some calmness, such a narrative was a matter of course.

About life and death, needless to say, this topic will always fascinate me. I like Ryoko Hirosue, mariable for me, and Masahiro Benmu's performance is also very good and has a good shape. I like that part of the bathhouse, that's life. The great thing about this play is that Westerners are interested in watching it, and Easterners are very kind.

When will I have to have a mouthful of puffer fish white too?

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Extended Reading
  • Lon 2022-03-28 09:01:06

    It's a 2-hour Japanese drama. A few scenes of playing the cello are especially pretentious and stupid. This kind of half-tone script, lines, bad performances, with such amateur-level shots and editing, in recent years, Japanese movie theaters have put out one of these films, one with the other. The minister is the same. Oscar for Best Foreign Language Film? The dead group of Akira Kurosawa and Ozu sat up straight from the grave; the still alive Yoji Yamada, Hirokazu Koeda, and Naomi Kawase

  • Angel 2021-12-25 08:01:15

    Very gentle and gentle. . There are many kinds of tears, this is a very powerful, very intriguing one

Departures quotes

  • Daigo Kobayashi: There are many kinds of coffins.

    Yuriko Kamimura: 50000, 100000, 300000 yen.

    Daigo Kobayashi: They differ by that much?

    Yuriko Kamimura: The left one is plywood, the next one has metal fittings and carvings on both sides. And the most expensive one is solid cypress wood.

    Daigo Kobayashi: Oh, the difference is in material and decoration.

    Yuriko Kamimura: Yes, they all burn the same way.

    Daigo Kobayashi: Same ashes.

    Yuriko Kamimura: The last shopping of your life is done by others.

    Daigo Kobayashi: Kind of ironic.

  • Shokichi Hirata: Salmon?

    Daigo Kobayashi: [Watching the river] Ah, yes. They're right by the rocks... over there.

    Shokichi Hirata: [to the salmons swimming against the stream] Oh! Go for it!

    Daigo Kobayashi: It's kind of sad... to climb only to die. Why work so hard if you're going to die.

    Shokichi Hirata: I'm sure they want to go back... to their birthplace.