When will I have to have a mouthful of puffer fish white too?

Enos 2022-04-19 09:02:22

I finally watched the mortuary and said that I was apologetic. Even I, who are used to watching movies from 70 years ago, should not neglect such a movie.

Takahiro Sasano, playing the old man in the bathhouse. The last time I saw him was in the Japanese drama Negotiator 2. This person is very old. In fact, he is a man of 48 years. He entered the film industry very late. He had been a theatre actor until then. The man is said to have married a 17-year-old wife when he was 42 years old.

Yamazaki Nu, who played the role of the president, seemed familiar at first glance, but after checking, sure enough, the long-distance driver Heiro in Dandelion Mile that I liked very much was him. That was over 20 years ago, he wasn't even 50 years old and wearing a cowboy hat made my impression of the Dandelion play totally Western. Looking at it now, it looks so old. I really like the part of eating puffer fish, the logic between life and death and eating is amazing. If there are one or two actors like Yamazaki or Sasano in China, it would be amazing.

Speaking of Dandelion, the funeral director actually reminds me of Itami Shisan. He is a director I like very much. He knows the genre well, but he is full of a sense of absurdity and ritual. The characteristic, and even a major characteristic of Japanese culture, is to display the sense of absurdity and ritual at the same time, bilateral. My graduation thesis is about bilateral, bilateral, simultaneous, infinite power.

The play of the mortuary is very Hollywood, and I was secretly worried when I saw it halfway through. Probably at the end, my father was going to appear. In fact, I had a little hope for the abnormal, thinking that there is a possibility that this father will become Godot. But Godot didn't show up, Dad showed up. But at the end, there was some calmness, such a narrative was a matter of course.

About life and death, needless to say, this topic will always fascinate me. I like Ryoko Hirosue, mariable for me, and Masahiro Benmu's performance is also very good and has a good shape. I like that part of the bathhouse, that's life. The great thing about this play is that Westerners are interested in watching it, and Easterners are very kind.

When will I have to have a mouthful of puffer fish white too?

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Extended Reading
  • Humberto 2022-03-29 09:01:04

    Oscar for Best Foreign Language Film in 2009. This film is a typical Japanese industry drama. It turns the unpopular profession of mortuary into art. It not only discusses the ultimate question of life and death, but also brings together topics such as love, family, self-worth and life attitude, which makes people laugh. With tears in it, there is no lack of depth. Masahiro Benmu's performance is perfect, and Joe Hisaishi's soundtrack is the icing on the cake. Life is impermanent, cherish life, be kind to others, and live well. (9.0/10)

  • Suzanne 2022-03-29 09:01:04

    Good themes are wasted like this. Like "The Grandmaster", they are all representatives of fake movies. The characters' relationships are deviated, the emotions are pretentious, and the redundant voice-overs disrupt the rhythm of the entire film. It is no wonder that director Yojiro Takita won the Oscar for this relatively famous work because the presentation of the oriental funeral ceremony accounted for a large proportion. . It happened that I had just watched Ozu's "When My Father Was Live", and it was very different in every way.

Departures quotes

  • Mika Kobayashi: What are you doing?

    Daigo Kobayashi: This one. Here.

    Mika Kobayashi: What?

    Daigo Kobayashi: A stone letter.

    Mika Kobayashi: Stone letter?

    Daigo Kobayashi: Long ago, before writing, you'd send someone a stone that suited the way you were feeling. From its weight and touch, they'd know how you felt. From a smooth stone they might get that you were happy, or from a rough one that you were worried about them.

    Mika Kobayashi: Thank you.

    Daigo Kobayashi: What did you feel?

    Mika Kobayashi: Not telling. That's a lovely story. Who told you?

    Daigo Kobayashi: My dad.

    Mika Kobayashi: You mean... that big rock?

    Daigo Kobayashi: Yep. I got it from him.

    Mika Kobayashi: I didn't know that.

    Daigo Kobayashi: He said he'd send me one every year, but that's all I ever got. That jerk!

  • [last lines]

    Daigo Kobayashi: Dad... Father...