This drama may be suitable for the second brush, or as it has the characteristics, suitable for revisiting after abandonment, when you pick it up again, you will suddenly be enlightened, and you will even feel the Steinsstone like me. The power of the gate (laughs) is the climax from the first episode. The plot is coherent and the process is closely connected. The content arrangement is carefully arranged and interlocking, which makes people excited to watch it in one breath. The driving of the plot is its biggest shining point, and it is also a work that I think is extremely smooth from the beginning to the end. There may be very few works that can be compared with fate in terms of narrative structure and ingenious conception.
No episode of Fate is boring and everyday. Each episode is clearly divided. Before a few episodes is this bridge, in which episode a mutation is introduced, which episodes are foreshadowing, which episodes are sublimated, each episode What problems are to be solved, which pits are to be dug, and the arrangements are properly arranged, people can't stop. It really does tear apart the behind-the-scenes pieces for the audience to see, and leads the audience to think for themselves, from raising various doubts to decomposing them one by one. , with a strong sense of hierarchy. Tina's death is torn apart layer by layer into the final boss that Tsunabu will encounter when playing the jumping game. Mayuri's death is the worst end of the game. Tsunabe's jump to create a time machine, in order to save her life. The infinite number of deaths that Mayuri saw, to the various plot settings after the presumed deletion of d-mail, is reasonable and expected.
on the subject. Destiny takes the topic of time to talk about people's matters. What it pursues is not the theory of science and technology (the story always has a false side, just like reality), it is not black and white (the story always has a bad side, just like life), In the gate of fate, or in the gap between time jumps, there are many regrets and helplessness. Tsunabe finally prayed that we were just children playing games, asking for forgiveness for the ignorant and fearless us and letting Mayuri go, but he didn't know that he was playing with fire, a fire that burned causality and ethics. The fakeness of the story lies in its beauty, Tsunabe paid too little price (this is the so-called mad scientist w), I have always insisted that Mayuri's death is inevitable, even if it goes back to the original timeline, it's like a life span. To the point, no matter how tightly Tsunabu's fists were clenched, they were still empty. A world that survives by deception is truly incredible (what is the essence of man w).
About characters. Shaping the characters with prominent characteristics, or highlighting changes, the setting of the middle-two disease becoming depression and collapse is tantamount to success, and the final transformation is far-fetched but coherent. The transformation of a boy into a man is nothing more than the appearance and disappearance of women. The relationship between Tsunabe and Tina is also so hierarchical, so the foreshadowing in front is really not an exaggeration at all. The closer it is to the daily life, the more empathy when it is destroyed. The beauty of it, but found that the drink was the same as methanol. The male protagonist is also really suitable for Japanese aesthetics. I will definitely say "Tsunabe is really a gentle person (w)" when I meet him. Tsunabe is actually a really gentle person (sigh). Tina is also very suitable for Japanese women, like the silk of broken lotus.
thoughts on the ending. Well, I hope everyone can cherish your daily life, after all, this is what some people yearn for throughout their lives. It is said that even if we fall into the cycle of cause and effect for thousands of years, the thoughts of you and me will definitely meet again on the world line.
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