A total of two trains passed during the push-up, looking up at the train, and then picking up the frontal close-up. The woman walked by and slowly passed the character from behind. (Third Train Appears) Bertolucci almost begins with the camera (action) and the lines to establish the most important thing and only thing in the film - the characters. Aged woman with false teeth. The black doorman is like a ghost, holding the hand of the hostess and laughing wildly, not letting go. Times have changed, but there is always a corresponding solution. Although the profession of concierge is gone, if we look at the house, we still have real estate. intermediary. The original person in the prototype room stole the key. Contrasting characters, one is sullen and almost dry; the other is full of vitality, but cautious, character, still character. How can I make a phone call in the same room today, is it because I know the phone number? After finishing it, she was still walking in front of him, the same behavior, but the character's momentum was completely reversed! ! The train's soundtrack has also become less jarring! Then frantically kissed her boyfriend. I feel that the prototype of "Seafood" should be this. When the microphone is knocked off by the female protagonist, the male protagonist's voice also becomes smaller. This kind of simultaneous recording gameplay that is consistent with reality is so cool. She refuses a little, and the falseness of satisfying her own desires for the sake of filming is more annoying to her than the sudden biological sexual desire. There is a person sitting on the stool, so he directly pulls the person along with the stool. You "You don't have a name, neither do I, I don't want to know who you are, or where you're from, we meet here, we don't need to know about the outside world." "Why?" "Because we'll forget everything." Brando's eyes and sudden seizures are really like Liu Zhengfeng, which is good. Use a roar as a name. Dodging the old lady who was filming, the camera turned and disappeared, another kind of Amakord. In such a room, you can always find all your memories. But when the house is gone, there is nothing left. "To me, these trees are like my garden." It's almost a perfect movie-in-movie narrative. One is to give freedom, and the other is to use. In the hotel fable, everyone is a customer of the hotel, including the husband himself. It's just the difference in time, and there is no difference in meaning. This may be the reason for the suicide. As for the real reason, the director didn't say it, and we don't have to guess. This is the best.
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