For such a character, the audience's appeal is also very clear, that is, to watch the fighting scenes of fist and flesh, which is very easy to cause problems in the model. Pitfalls, especially for a series that made 3. When we watched 2, many people felt the same as me, that is, the opponent who changed the country re-shot the plot of the previous one. There is nothing good to say, compared to the success of the first part, Ip Man 2 only left such an impression on the audience. But when it came to Ip Man 3, the director finally jumped out of the traditional routine of family and country feelings. Although there are also foreigners in this, and the crew also made a lot of gimmicks with Tyson in the preheating marketing of the movie, but this is by no means the first two. The Ministry has integrated national sentiment and national righteousness into the fist. Instead, it's a work that focuses entirely on the internal trade-offs of the heroic characters.
At the beginning of the movie, the conflict point broke out in the campus with a lot of life. The first three fights in the whole film should be regarded as the creation of Zhang Tianzhi's personal image rather than the conflict between Ye Wen and foreign forces. A poor but arrogant warrior, in the two fights, he hoped to prove to the world that he was a descendant of Wing Chun who did not lose to Ip Man, but he was ignored by the media again and again. The ending of the police torture. And the three minutes between Ip Man and Tyson is more like an easter egg for the first half of the story. This fight, while nice, is not the climax of the film. As soon as the alarm clock rang, the two ended in silence and never saw each other again.
At this time, Zhang Tianzhi had just made his debut, and he pushed the protagonist into a new problem: whether he wanted a reputation or a family. From this stage, even the awkward literary drama in the first half begins to be gentle and delicate. Although in the first two films, Ip Man was also a man who cared about his wife's feelings in real time and did not dare to break the furniture. But in this film, the director brought out this opposition more clearly. Without the choice of national justice, the tenderness built up between the dull is most likely to be washed away in the delicate life. Zhang Yongcheng's emotional catharsis of nailing buttons and installing table lamps finally reached the extreme at the end of the film.
In a newspaper, the headline was a challenge to the reputation of this man, Ye Wen, but the two of them turned a blind eye. Instead, Ye Wen picked up a joke and read the seriously ill Zhang Yongcheng to make her laugh. The empty competition arena, mixed with the scene of Ye Wen dancing with his wife, this is the final choice of this iron fist man. Of course, at the end of the film, of course, the first battle is indispensable, but this battle is no longer a confrontation between family and reputation, but a great fusion of the theme of "people around you are the most important", which has become the mutual fulfillment of two people.
People say "with great power comes great responsibility", which is from a bystander's point of view. The masses always want a hero to protect themselves. But for the hero himself, nothing is more important than going home for dinner.
Like a fish drinking water, it knows its warmth and coldness.
I don't want stars in the sky, I want earthly happiness.
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