Zhang Jin is indeed full of aura, but Zhang Tianzhi proves that the "Grandmaster", like the film itself, or the kung fu film itself, is not good only if it is played well.
Speaking of Xiong Dailin, she gave me the impression of "black belly", but her role in Ye Wenzhong was really good.
There are many people who satirize Donnie Yen in literary dramas but take this porcelain work. But I think that there is a kind of actor who does not need to talk about absolute acting skills, let the characters really integrate into themselves, and even let the audience think of the role played, and he is in their minds. Isn't that a proof of success and "acting skills"? Perhaps more of Donnie Yen's previous films should be attributed to kung fu films, but "Ip Man 3" is more like a biography of "Jobs".
That kind of "innocent" and forbearance in the performance may just reflect the character of "Ip Man" himself.
Most importantly, for me, I seem to have really heard that Donnie Yen is using his life to play "Ip Man". The blushing and thick-necked Donnie Yen who fought with Zhao Wenzhuo gradually disappeared.
I have to admit that it is true that Donnie Yen's absolute acting skills make the plot of the film seem monotonous, so Zhang Jin's performance makes up for this very well.
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