The so-called slow movie is not the slowness of the shot scheduling, but the slowness of the aesthetic concept, and the slowness of cultural time and space. Although cats, cats and dogs are symbols of traditional slow life, they have also found their place in modern life. Factories rise from the ground, railroad tracks that symbolize fate pass by, and the little boy becomes a crazy trainer. Athlete, the dog is lying on top of him, as if lying on a steel machine. In order to recover her little grandson, the lame old lady stepped on the pedal boat and caught up with the huge steamer, one big and one small. French civilization ignored the difference, and even despised the difference.
Capitalism, on the other hand, emphasizes differences, and makes us fear differences. Two ships are swaying on the ocean under the epic music.
In fact, this small ship represents France, while France symbolizes Europe and represents the traditional culture of the West. Although the United States and Europe both represent Western culture, one represents what Western culture is today, and the other represents the nostalgia of Western culture. How did it transition from tradition to modernity? How did it transition from Europe to the United States? In fact, Americans are not Americans at all. Today’s Americans are to a large extent on this voyage, no matter what kind of ship they use to carry themselves, across the ocean, across the Atlantic to the New World of the United States, this video is in On the other hand, it is a tribute, praise, and tribute to the European ancestors who migrated from Europe to America, but not only in praise. Culture brought to the United States, on the contrary, it was conquered by the United States. The Statue of Liberty given to the United States by France was vilified as a fat man by the French director, the code became a hamburger, and the torch became a cone. In traditional society, obesity is a luxury, just like North Korea. There is only one fat man, and in the age of overproduction, obesity has become a modern disease that grips society.
The mother-in-law came to this city and met three sisters. The traditional mother-in-law still likes the three, but the three have been forgotten by the society. The traditional culture is nostalgic, but the modern civilization is new.
The three sisters blew up a large piece of frogs with grenades, but only took a net. After eating the frogs, they even ate all the tadpoles, leaving the frogs with no successor. In the final showdown, the three sisters blew up the mafia with a frog grenade, the lame old lady disintegrated the body of steel with his heel, slow wins in the movie, just in the movie.
We are becoming more and more nostalgic, and we are less and less fond of fast-paced, infinitely replicated life. In this era where even cities can be replicated, your life and mine are also infinitely replicated. The more we are in the center of the city, the more Centrifugal force, yearning for the slow life we once abandoned.
At the end of the movie, a group of people crossed the suspension bridge and walked into the wilderness, as if giving people a good daydream, but the road in front of the boy is a projection, a false and ethereal image, as if to tell us that although the tradition is beautiful, it cannot go back after all. If you can't go back, it's called nostalgia. Years later, his mother-in-law died, and the boy's autism has long since recovered. At first, his mother-in-law wanted to have a word with him, but he was at a loss for words. Now he has gray hair, turned his head, and said to the dead and the world: "Yes, it's over. mother-in-law."
(Many people say that this movie doesn't have a lot of meaning. If you want me to say, there is, but you can't see it.)
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