The title is the five most intuitive impressions of this movie.
This is a two-and-a-half hour movie, but there is no feeling of procrastination. The lens is very mature, stunning and full of novelty. At the beginning, the train passes through the tunnel, the mirror image and the body are in one place, the reality and the illusion are merged into one, submerged in the darkness. When the male protagonist sits in the car and descends from the sanatorium, he passes through the rotating mountain road, peeking at the female protagonist standing on the high platform from a cyclically changing perspective. Seeing this, it is not wrong to think that it is a cyclical psychological work. The film continues to progress, the image of the eel continues to strengthen, the eel logo on the iron door, the small eel crushed by the male protagonist in the cup, the eel that entangles the male protagonist in the spa gradually swims into the eel that entangles the heroine in the bathtub, until Here, the eel is still a vague image of reality and reality. The male protagonist's memories of his father's suicide by jumping from the bridge continue to flash back, cycle, and strengthen until he finally substitutes himself. Mr. Pemberbloke's medical history gradually resembled that of the male protagonist. The truth of the sanatorium has slowly moved from confusing and confusing to clarity. All this seems to have seen the plot of the confinement island.
The director played a lot of consciousness games, but when the truth finally came to light, he realized that it was just a game of ghosts in the clouds. The owner of the nursing home and his sister gave birth to a female lord in order to continue the pure bloodline. At the same time, they used eels to absorb human essence to live for hundreds of years, until the daughter reached sexual maturity and decided to ignore the arrival of the aunt and continue to have children with her daughter. . The protagonist gradually uncovered the fog while exploring the truth, but he has already fallen into the trap of the nursing home owner. The so-called disease is hidden in the water full of eel water. The protagonist once fell into a state of believing that he was sick. The antidote was the porcelain statue of a ballet girl left by his mother. So in the cult group, he went up to the mountain to witness his father’s love as a mountain and stepped forward to burn the nursing home to save the mistress. When I met the company board during the descent, I decided not to get in the car with them and rode the bicycle with a weird smile and led the hostess down the mountain. The video ends.
Water is a clue. There are too many elements and images that run through, and it is difficult to digest for a while. This movie paved the audience with many dead end forks, which seems to be a cycle, but in fact it is just a montage created by the stream of consciousness. If these branches are cut off, it is just a plot twist.
There are many details worthy of scrutiny. For example, the heroine's inexplicable erotic dance, the sudden incident of the female nurse undressing the male nurse to jerk off, and the male lead constantly seeing Mr. Pemberbloke appearing in the water tank but alive. The audience questioned whether the complexity of the plot exceeded their imagination. I think this is just the way this film wants to render a suspenseful atmosphere and psychological horror. In other words, the director deliberately misguided the audience, and the plot is a simple and crude science fiction.
The casting is really in my heart. The male protagonist has also gained a little fat in order to play a sub-healthy Wall Street wolf. Seeing such a male protagonist who is bound to become popular with his acting skills and appearance, he seems to have seen it. The shadow of the little plum.
In general, it is a masterpiece of white pigs that is precise in photography but not logical.
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