After reading it, I just want to give it ★★★★☆ four and a half stars, very good painting and imagination, the plot is not my thing, the story is complete, and the angle is interesting.
Just talking about the first-level family, grandma's love for her grandson, the plot tension is not enough, and it is supported by magnificent imagination. I didn't see it on the second floor, and there was only one contradiction in the whole process-the grandmother was looking for her grandson, and the amount of information about the plot was weak, but the unrestrainedness on the screen effectively supplemented this shortcoming. All in all, it depicts the old-fashioned family love, but the whole play has only this single contradiction, which is not dramatic enough. Similar to Tim Burton's "Big Fish" and "Dream Traveling" in recent years, there are two lines, multiple lines, and multiple contradictions, and the contradictions collide with each other. For example, family and dreams, father's present and past, etc., Mirador's plot is very absurd (picture details) but very plain (single-line plot trend). Song of the Sea, that's the style of animated films like this, that doesn't poke your emotional point hard.
As a result, I am confused again. Most of the films directed by Hayao Miyazaki don't actually try to poke emotional points. However, I obviously prefer Miyazaki's films. The reason is that the childhood filter bonus, Second, there are a lot of people blowing it, and I follow the crowd. Third, I thought about it, maybe every detail of Mirador is absurd and very unreal. And Gong Lao's films, from Chinchilla to Princess Mononoke, although there are magical elements of artifact, but in general the details are in line with the reality of our life, the audience is easier to substitute, and it will not be because of the extremely rich The screen design contrasts the simple and straightforward plot, which is overwhelming and affects the deep emotional touch. In addition, there is a fourth reason, which is the setting of the protagonist. The protagonist of Mirador is an old grandmother who does not speak often, so it is difficult to figure out and substitute. In Gong Lao's films, the protagonists are relatively young, cute little girls, handsome teenagers, young girls and boys, all of which are stages of life that the audience has experienced, and the protagonists will interact and speak with other characters in the story. , the protagonist will express his own ideas clearly, and the audience can easily understand, empathize, and substitute.
Talking about the setting of the protagonist, the protagonist in Xunmenghuan Travels is a little boy. If the protagonist is set to be the little boy's wife and grandmother (the seniority cannot be remembered), will the reputation of Xunmenghuan Travels be greatly changed?
A grumpy, strong-willed, strong-willed, love-hate old woman heard that her great-great-grandson wanted to learn music. She jumped in anger and coerced her grandson to give up music all the way. Finally, she was moved by her grandson and her husband, compromised, and embraced love again. ? Probably a good story, but who wants to see the episode where the old lady forces the little boy to give up? Maybe the old ladies in real life thought, and it is very likely that these old ladies just wanted to force their children to give up their "dream" to find a movie to learn from, and came out of the cinema after watching: "What did I just watch? Compromise?! That is impossible!"
Fortunately, the grandma of Mirador is not such an old lady. Grandma has been helping her grandson to realize his dream and protect his grandson.
I was suddenly stabbed to the point of cuteness.
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