Changliu
, a friend who watched this movie with me back then, now every time I see this poster in my poster collection, I still clasp my hands and say gratefully: "This poster is cured. My cold! The cure is the cure!"
How good is his cold, I don't know, in short, after watching this movie, he really no longer has a runny nose or cough. It's a mystery.
Cult movies were my and this friend's favorite at one point. The more unique the shooting techniques, the weirder themes, the more slanted the sword, the unusual style, the films with a strong personal point of view, controversial, and at the same time not dominated by the market, I especially prefer. I don't know how much the killer Ah Yi's film cost, and I haven't done any in-depth research on its behind-the-scenes production, but we have been talking about all the film colors of the film.
You also need to choose people to watch a movie. Not everyone can meet and share the precious two hours of midnight. For example, such movies cannot be watched with those babbling girls. They will look for support and make trouble out of time, completely disrupting us. interest, and in the future advertise how perverted we are.
These films are not the family warmth films that the public likes, nor are they American heroism, but the sensory stimulation these films bring to us is unmatched by those ethical and moral restraint films.
Some say these movies are cheap and channel evil and subcultures, but these subcultures are generally pretty cool and always lead to a certain fashion trend. Trends such as leather jackets, long hair, metal accessories, tattoos and easy dressing, contrasting color mixes and tight-fitting trousers all changed people's aesthetic concepts. Although it is not mainstream, it is often absorbed by the mainstream, moving from alternative to popular. However, that kind of maverick ethos will gradually disappear as the popularity grows, until the next, more alternative revolution arrives.
To say that Takashi Miike's grasp of this aspect has reached a consummate level is by no means arrogant. Throughout the whole film, the bloody scenes are terrifying, and the leader Kagakihara played by Asano Tadanobu is even more deeply rooted.
The film is bloodthirsty, brutal, indifferent, and SM, and at the same time, it is dazzling, bold, and novel. The strong contrast in color and the random mix and match of clothing are eye-catching.
The film is a typical Japanese cult. The essence of this evil pervert can be reflected everywhere in Japanese novels about gods, monsters and monsters. This kind of evil taste that penetrates into the roots of their nation is like the death that the entire nation is born with. It's just that some people behave arrogantly, while others behave docilely and modestly.
Also showing violence, Kitano Takeshi's lonely blue is a masculine classic in the hearts of the public, while Miike's violence has a feminine beauty.
This kind of cruelty permeated with coldness and evil is often caused by the strangeness and indifference of the movie, which seems to be nothing but the most extreme perversion.
This is just like what Kakihara said: You have to fight with emotion before you can be satisfied. This is absolutely an unparalleled perversion.
But such a film that is widely praised by cult youth, can it be summarized with only one "pervert"? Far from it.
This film, in the form of pure brutal violence, expresses the deep meaning of the director, why the fight that started is no longer important, the important thing is that the director forcibly pulls the audience back to the essence of human nature, what is human nature, What is loneliness and what is meaningless.
But I also think that after reading the past, you don't have to think too much, just enjoy the pleasure. There are some deep and deep things. After thinking about it, it is just a nothingness of self-destruction.
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