Top ten of the year.
The front will also dislike the procrastination of the rhythm and the uninteresting plot. Only when you start to exert your strength in the middle part will you know that you are playing in a eloquent manner. The closer you get to the end, the better the situation will be.
The shots are clean, powerful, and full of emotion. The structure is exquisite, and the O'Henry-style ending is very shocking, and even when the curtain ends and the job list is played, it is still judging the truth.
The whole movie is a reconciliation between it and its fifty years of life. First, he repeated the path he once despised: smoking heroin and all kinds of admonitions to his mother in the past. Then, unfold one by one, and take off the shackles one by one. I especially like three episodes:
1. When reuniting with an old lover, the expression of love that cannot be expressed, the implicit and fanatical love, as well as the complex emotions such as deep complaints and jealousy, come to the screen;
2. Even if he is over fifty years old, he still looks like a child in front of his mother. The portrayal of the mother's image of a working woman in the old feudal society shows the backward and ignorant but true love of the old times. It can't help but bring people into the body, so it hurts more and more.
3. The obscure and implicit depiction of sexual enlightenment, the graffiti artist who exists deep in everyone's memory, is ordinary and unforgettable. "It's a good story for a plot, but it's crazy to go to him." It's all just a burn from when I was young.
Love is not enough to save the one you love, but jealousy can.
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