for river/
I watched it the other day, and I didn't like it. The lengthy bits and pieces of road movies and half-hearted still photo pornography annoyed me. I don't have any opinion on Scott. It's normal for a prodigal son of a rich second generation to return to inherit the family business.
But the flashbacks of River's character's childhood flashbacks reminded me of certain chaotic episodes in David Lynch's Lost Highway. The spooky soundtrack, the house with the green roof, the crying baby, the mother kissing the young child, the high-spirited woman dancing with the baby, the normal family Mike has been pursuing all his life is just too hopeless. Bar.
But inexplicably ate Prince Hal's Amway. After checking, the process from Henry IV's relationship with Falstaff to the breaking of diplomatic relations shows the growth of a wise monarch. Corresponding to the film, there is really nothing to say.
The final provocation of Mike and the mob in the cemetery is probably a tacit anger. The moment scott looked at him from a distance, I knew that Scott understood, but he was no longer willing to investigate. Some people regard the past as a precious memory of sharing hardships and joys with their lover, while others only regard it as a shameful mark of a depraved and debauched life. In other words, he doesn't think the past is ashamed, he just regards it as a life experience, a way to demonstrate to the patriarchy. He just accepts it calmly, disengages naturally, and forgets for granted, in a very decent way.
At the end of the story, Mike fell on the road again. A car passed, swiping his luggage and shoes, and another passed, stuffing Mike, who was sleeping slightly convulsingly, into the car. In my story, a certain gentleman at this moment will probably have a sudden indescribable tingling in his heart, slight and short-lived. Frowning, telling his concerned girlfriend that it's okay, adjusting his tie, and chalking it up to some nasty talkative congressman's fault.
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