1. The male protagonist is playing the longboard alone and playing with the shopping cart, and I really feel a sense of desolation when I reach a climax.
2. When the male protagonist danced with his mother and Kayla after dinner, the male protagonist scared me a bit. The black eyeliner and black nails were a bit offensive to his mother, but when he was in the taxi, he was unusually outside. He defended his mother in front of him, so he gave me a little bit of Oedipus complex, but in general, the part of dinner and dance gave me an unexpected harmonious feeling, a kind of happy release under mania.
3. Under the feeling that everything is on the right track, the male protagonist and Kayla are tutoring, and the mother is working outside, and the whole tone is sunny. In the section of the road between the mother, Kayla, and the male protagonist, the male protagonist uses both hands to touch the screen. Unpacked into broadband, everything seemed to be going in a good direction, until Mom got a notification, the screen ratio changed, and the whole show was clouded again.
4. When the mother and the lawyer were in karaoke, the male protagonist's forbearance gradually disintegrated, the child's world can be so indulgent, and the adult world is indeed exchanging sex for a chance to save. I don't like you, but I love you.
... After reading it, I don't want to write about the feelings behind it. It's so distressing and uncomfortable. I don't like this ending, but I accept it.
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