The director has turned grapes into wine since his debut. If the first one is a genius work, this one already has the shadow of a master, and my peers are really born for the movie.
What is particularly valuable is that this one cannot be regarded as an upgraded version of the first one, but a final version with a facelift and a higher level. Compared with the upper part, the script is better, the dramatic conflict is stronger, the relationship between the characters is deeper and more complex, and the image style is more mature and personal.
This time, I paid more attention to storytelling. I didn't play the way Wong Kar-Wai was superficial in the previous films, but it was more touching. This is the most precious quality of a director.
The thorns in the bones, the lack of rhythm, the suicide is too fast, the audience has not been able to pull out from the plot that disturbed the lawyer, the natural suicide becomes less shocking, and I feel that there is a better way to deal with it , a bit violent and rough.
The plot of the son entering the university and entering the marriage reminds people of La La Land, the son's life in his mother's fantasy, and in retrospect, it adds a bit of tragedy and praise.
The scene in which my son was taken away was a climax, with the actors performing well and making people cry.
Javier Dolan, all the way to this point, you've turned grapes into wine. You will definitely have a place in the golden hall of movies in the future, little brother Gao Shan Yangzhi.
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