Li Su's simplicity makes him seem out of place in modern civilization, full of laughter. I first saw this African native who was dubbed by Stephen Chow and Wu Mengda in "African Monk". At that time, I felt that he was a god-like existence. This unmodified image of Hibiscus from Shimizu is absolutely unique in the history of world cinema. He is an alternative comedy star, but he can't be repeated. It is said that after a few plays, he got tired of it and returned to the primitive tribe of life.
The two lines seem to be incompatible, but in the end they are cleverly combined. This narrative method is actually very anti-Hollywood. If it could be a little more subtle, it would be nice to combine that coke bottle with the male or female protagonist, or the rebel leader who threw the bottle, so that the previous plot of Lisu is at least less detached. There are also some plots in Lisu that can be combined with the male and female protagonists, so it looks more holistic.
Xing Ye is old, and Li Su doesn't know where it is. That kind of pure comedy that makes people laugh from beginning to end is as rare as a beautiful woman.
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