IMDB gave S1E6 a score of 8.6, my selfishness is low, I breathed a sigh of relief after reading it - Greg Yaitanes, after all the MTV-style editing skills that go straight to the depths of the senses (please see "Black Eater") "Black"), put down the Colt complex, and the language of those punk sex shots, sat down and said, there is no story that can't be done with "push, pull and shake" - he belongs to the craftsman, he has to work with Communicate with yourself, talk to yourself through the lens, you don’t need skills for introspection, you just need to speak.
When we take history as a mirror, or appreciate, or judge the language of those shots, the Hollywood market (you use the vocabulary and punctuation given to you by the Western world to make a sentence, who do you think has the right to speak?) is cultivating a group of The most amazing thing about batch line directors is that their confidence in how to tell a story well is reflected in the control of the actors’ performance and the help of editing techniques in the narration-long shots are to let the audience see the sincerity of the actors, without cutting them out. , is a respect for artistic intuition.
I think, if a person provides a context to the world, it solves some problems, and the answers to the questions lead to more thinking, thinking about the necessity of life, and where to go. He may be a philosopher, a mathematician. If he happens to be dozing off in the director's chair, he's a master of the academy.
The sixth episode of "Ted", a director who survived the market test, when filming a scene, his first consideration is not the narrative space, not the actor scheduling, but the scene - before joining the WTO, this is a genius, after the birth , is wise.
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