2046--Youth And Tears, Love And Sorrow Is Leave

Katheryn 2022-04-24 07:01:14

At that time, the international chapter was still a little green in acting against the background of the old bangzi, which was not as good as the performance of the later generation of masters, but this greenness was very suitable for the character Bai Ling, but it was the first time I saw it. The King of Sunglasses wanted to cry and felt sorry for Bai Ling, but he could understand a man like Zhou Musheng, who knew how to win a woman's heart, but he didn't stay by anyone's side. This is too much to say

Kylie 2022-03-25 09:01:10

3 and a half stars is still the feeling of lust and loneliness trapped by love, but the completion of the film is average, even if it is a sequel, too many shadows of previous works still seem to be too repetitive. It is not like "Dong Xie Xi Du", which develops multiple characters under the premise of focusing on one theme. It has many characters and wants to express as much, so much that it is almost too busy; the overly elaborate artwork and shots are even more scattered. The story itself, although this is one of the highlights of the film. Starting from "In the Mood for Love", Sunglasses has even added text outside the monologue to assist the image, but this is particularly disconnected from the silent self-report, so I think this is his move to gradually compromise with the text. But even so, he still tried his best to perfect the narrative, so the theme of the film "Leaving the Phantom of the Past and Going to the Hazy Future" has been explained to some extent. Many people say that Wong Kar-wai has actually made one movie in his life, that is, The True Story of Ah Fei, and this is indeed the case. Because both the characters he portrayed and the director of the sunglasses themselves are nothing but legless birds hiding in their own 2046 reincarnation. Some people may wake up and leave, but more people do not want to wake up after all.