Memories of 2046

Kylie 2022-03-25 09:01:10

3 and a half stars is still the feeling of lust and loneliness trapped by love, but the completion of the film is average, even if it is a sequel, too many shadows of previous works still seem to be too repetitive. It is not like "Dong Xie Xi Du", which develops multiple characters under the premise of focusing on one theme. It has many characters and wants to express as much, so much that it is almost too busy; the overly elaborate artwork and shots are even more scattered. The story itself, although this is one of the highlights of the film. Starting from "In the Mood for Love", Sunglasses has even added text outside the monologue to assist the image, but this is particularly disconnected from the silent self-report, so I think this is his move to gradually compromise with the text. But even so, he still tried his best to perfect the narrative, so the theme of the film "Leaving the Phantom of the Past and Going to the Hazy Future" has been explained to some extent. Many people say that Wong Kar-wai has actually made one movie in his life, that is, The True Story of Ah Fei, and this is indeed the case. Because both the characters he portrayed and the director of the sunglasses themselves are nothing but legless birds hiding in their own 2046 reincarnation. Some people may wake up and leave, but more people do not want to wake up after all.

Harrison 2022-03-22 09:02:05

4.5 I personally think that <2046> is to Wong Kar-wai like is to Hou Hsiao-hsien. It is a self-summary and tribute, repeating the moist memory of disappointing the present and cherishing the past. It's just that Zhou Muyun can meet Su Lizhen, Ye Wen can meet Gong Er, 633 can meet A Fei, but Mimi no longer has Xu Zai, and He Baorong no longer has Li Yaohui. Many things are not unconscious, but we are too slow, such as time, such as love