Record the points in the work that impressed me the most

Ally 2022-04-20 09:01:52

The film mainly explores the delicate relationship between marriage bottleneck and sexual desire, and the interpretation of "anti-matter" and "negative-dimensional world" in the comics in the plot, and Tuo's existential dilemmas and choices are also intertextualized with it.

The comic world and the homeward train narrated by my brother are another line of the whole film. It condenses the whole film structure into "party night" on the one hand, a dark night where the ice storm is raging and human nature is turbulent. On the other hand, even from the Judging from my brother's two journeys home, these two return trips seem to be a cycle, but they are indeed a journey of growth and setbacks to get out of love.

The unique treatment of sound, such as the use of very oriental rhythms as the pad music throughout the film, creates a sense of emptiness that not only gazes at the abyss of human nature, but also is the normal state of human spiritual desolation and loneliness. There are also some toy sounds, and record jams and repetitions to simultaneously present the emotional boredom between siblings.

The weather setting of "Ice Storm" is too suitable for the plot, too coincident with the characters and the emotional changes between them. One of the party games is a romantic night - the frozen car is also thawed after starting, and the time is right...; "The train stops at the night of the ice storm" to accompany brother Paul's emotional trough in still darkness; the next day is sunny and the ice and snow melt, experienced The reunion after these passing, accidents, and heartbreaks is like interpreting the "return after going astray" in the comics. The family is sitting in the car going home, the love in their eyes cannot be expressed in words. All estrangements have been "resolved", just as "Pushing Hands" shows the complex involvement of family relationships, the dearest ones always hurt each other, and they can't be separated from each other. In any case, in the end, what everyone learns in the long or short journey is cherished.

On the topic of family and sex, the three generations of children, teenagers, and adults are fully represented, and the communication, seeing, and even slapping the face, embarrassing encounters, and post-mortem education, etc., are all in the family. The character relationship is set quite naturally, hey, it's very good.

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Extended Reading
  • Nakia 2022-03-27 09:01:10

    The biggest surprise for the director is to find a great work that has been neglected and underestimated when making up for an unpopular movie. This is probably the best Ang Lee that can be watched as a personal movie. Compared with the "Family/Father Trilogy", the changes are not small, and the techniques after this transformation are indeed quite skilled. The script is like the non-diet version (Storm version) of "Diet Men and Women" - the great thing is the precise social reflection of the American vision: the attack on patriarchy at the end of the Vietnam War, the gradual expansion of the sexual liberation movement, etc. The fragmented arrangement of life with the same multi-line narrative as "Diet Men and Women", in which multiple echoes (or direct binary opposition) show the neatness of the "superior" text. Ang Lee photographed the imaginary coldness of a storm in the United States. Under this ice storm, the family tends to be chaotic and disintegrated, and the emotions of each character have a lot to analyze (with the help of the Fantastic Four comic metaphor of family , relations implied by Dostoevsky’s symbols, etc.). The unexpected destruction of the ice storm brings new helplessness and beginning, and finally rises from a storm to the thinking of the family and even the society.

  • Dane 2022-03-21 09:02:15

    The last film of 2016, Ice Storm Night is dedicated to "Ice Storm". Ang Lee is best at weaving the undercurrent of the family. The climate and the relationship between the characters have dropped to freezing point, and finally brewed into an irreversible family storm. Ang Lee has almost never missed a casting call. Look at Tobey Maguire, Elijah Wood, Richie, and Holmes back then. They were childish but full of aura.

The Ice Storm quotes

  • Paul Hood: Your family is the void you emerge from, and the place you return to when you die. And that's the paradox: The closer you're drawn back in, the deeper into the void you go.

  • Janey Carver: [caught his youngest son Sandy playing with explosives] Sandy! You idiotic little dope! You could blow yourself fucking sky high with this demented crap!